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The Waldensian Evangelical Church of Trevi is a project of Benedetto Andolfi, built in 1883-84. The construction was carried out under the impetus of the Waldensian community recently settled in Rome. The exterior is in neo-Romanesque style and the main entrance of the building consists of a large semicircular arch with a wall almost entirely mosaic of phytomorphic elements, in the centre of which is the portal with a semicircular lunette and a rose window with a marble frame with arches.

The Waldensian church in Florence was built between 1892 and 1904 by the Scottish architect George Frederick Bodley. It was then a reconstruction of the first Anglican church in Florence, dating back to the 1840s. In 1966, the church was purchased by the Waldensian church which previously met at the temple in via dei Serragli, inside the Ricasoli-Salviati palace. Because of its Anglican origins, the Waldensian church has an English neo-Gothic style.

The Waldensian temple in Piazza Cavour was built between 1911 and 1913 and houses the headquarters of the Waldensian theological faculty. The construction of this second Waldensian temple in Rome (the first being the Waldensian Temple of Trevi) was made possible by the American widower John Stewart Kennedy, who in 1910 bought land on behalf of the Waldensian Evangelical Church. The church is the work of engineer Emanuele Rutelli and architect Paolo Bonci and is an eclectic mix of decorative elements from neo-Romanesque and Art Nouveau architecture.

The Waldensian temple in Milan was built between 1949 and 1952 to replace the old Waldensian temple of 1881, demolished in the first years after the Second World War to allow the opening of via Alberto Albicci. On the outside, the building is characterized by its facade, which comes from the church of San Giovanni in Conca (the 19th century Waldensian temple). The facade, dating back to the twelfth century, was restored to its original form with a neo-Romanesque restoration in 1879. The interior of the church is in modern style.

The Waldensian Temple of Turin was inaugurated in December 1853 in the presence of the ambassadors of Prussia, England, the Netherlands and Switzerland. Until 1848, the Waldensians were not allowed to reside in Turin, let alone worship there. The few people present in the city attended services in the chapel of the Prussian Embassy. The Waldensian temple in Turin is presented in a sober neo-Romanesque style with neo-Renaissance influences, especially in the interior.