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The ancient church of San Gregorio was probably erected at the beginning of the 9th century, and in 989 it was submitted to the Benedictines of the Abbey of Sant'Ilario. Due to the decline of the latter, the monks gradually moved to San Gregorio in the following years. It was originally affiliated to the church of Santa Maria Zobenigo and also served as a parish. The monastery was abolished in 1775. The church briefly retained its role as a parish church but was closed to worship in 1808 under Napoleon. While the monastery buildings were used as dwellings, the church was occupied by a mint for refining gold. After its restoration in 1959-60, it was used as a restoration workshop by the Soprintendenza per i beni artistici e storici di Venezia. Today, it has long been disused.

The church of San Jacopo al Tempio is a Romanesque church that already existed in the early 13th century. In 1250, the church, which was initially outside the city walls, was included in the second circle of the city walls, at the San Jacopo gate. The church then belonged to the Hospitallers (1311), then was given to the hospital of the Church of the Holy Sepulchre in Pisa (1576), before belonging again to the Hospitallers of San Gimignano (1599). The present church owes much to a renovation begun in 1942.

The church of San Leonardo was built in the 14th century in Romanesque-Gothic style. In 1338 it was inaugurated and initially run by a religious brotherhood of Dominicans. The earthquake of 1456 damaged the church, which was enlarged inside. The earthquake of 1805 also caused some damage, although not much.

The church of San Leonardo is an ancient parish church, dating back to the first centuries after the year 1000. It was restored in the 20th century and contains some 15th-century paintings: Madonna and Child with Saints by an unknown artist, close to Lorenzo di Niccolò, Tobias and the Angel between Saints Sebastian and Leonardo, from the workshop of Neri di Bicci, to whom is attributed an Annunciation, the Eternal Father, Angels and Prophets of about 1458, around a contemporary tabernacle, and a Madonna with a Belt and Saints of 1467.

The church of San Leone I was built according to a project by the architect Giuseppe Zander between 1950 and 1952. The façade of the church is in brick with travertine portals and sculptures by Luigi Venturini; a rose window is inserted in the upper part. The interior has a nave and two aisles divided by concrete columns supporting the ceiling, also in concrete.

The church of San Lorenzo is a church begun in 1634. The current Baroque structure was realized by Guarino Guarini, between 1668 and 1687.

The church of San Lorenzo al Ponte dates from the mid-13th century. It is Romanesque and consists of a single nave covered by a wooden truss roof, with a vaulted presbytery. From the beginning of the 14th century, it had a small portico on the left side, or perhaps a simple roof, to protect the fresco of the Virgin and Child from the weather. It was precisely because of the popular devotion to this sacred image that it was decided, at the beginning of the 15th century, to build or extend the portico over the whole side of the church, thus forming a real oratory next to it. Both the church and the portico were extensively frescoed at the beginning of the second decade of the 15th century by the Florentine painter Cenni di Francesco di ser Cenni.

The Church of San Lorenzo da Brindisi is a deconsecrated church in Rome, built in 1912 by the architect Giovanni Battista Milani for the Capuchin Fathers, who had their General Curia and an International College built next to the church. In 1968, the Capuchin Fathers abandoned the building complex, which was sold to a real estate company, and moved to the Corpus Christi Church. The church, while retaining its original exterior, was converted inside into a conference hall.

The church of San Lorenzo delle Benedettine was built on a project by the Neapolitan architect Giuseppe Astarita, considerably modified by Ambrosio Piazza (1782). The church, annexed to the monumental Benedictine monastery, has a beautiful rococo facade in Apricena marble, executed in 1789 by the sculptor Pietro Palmieri to a design by Piazza, and an elegant bell tower with a small tiled dome.

The church of Saints Ippolito and Lorenzo in Fonte, better known as San Lorenzo in Fonte, is said to have been built over the house of the centurion Hippolytus, where the deacon Lorenzo was held prisoner, and that he was able to baptize his jailer by miraculously causing a spring to flow, which can still be seen in the church basement. The church is first mentioned in 1348. In the 13th and 14th centuries, it was inhabited by Benedictine monks and nuns. The present church was built in 1543 at the request of the Spanish Cardinal Juan Alvarez de Toledo. In 1624, at the request of Pope Urban VIII, enlargement work was carried out by the architect Domenico Castelli, known as Fontanino.