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The Grote Kerk in Harderwijk is a Gothic cruciform basilica dating partly from the 14th and 15th centuries. The originally much larger church was initially called the Onze-Lieve-Vrouwekerk and was dedicated to Mary. Since the Reformation in 1578, when the Catholic religion was banned and suppressed, the church has been used for Protestant services. After the parish church of St. Nicholas burned down in 1415, it was decided to enlarge a Mary chapel and use it as a church. The 14th-century building was given a new choir with ambulatory, a transept and a tower that exceeded that of the St. Eusebius Church in Arnhem in height and was thus the highest in Gelderland. A large part of the church was lost when the tower collapsed in 1797 and destroyed part of the nave.

The Dutch. Rev. Church before the Reformation dedicated to H.H. Andreas and Catherine is a three-aisled basilica in the late Lower Rhine Gothic style. The nave, built around the middle of the 15th century, has pillars and rib vaults. The choir, originally XVa but renovated and enlarged around 1500 (consecration 1504), is single-aisled, has a three-sided closure and has a net vault. On either side of the choir, chapels are separated from the church space by slender columns: the northern one with cross-rib vaults and the larger southern one with three-sided closure and a net vault. Against the southern side of the choir is a stair tower (1635). The church was restored in 1895-'96 by P.J.H. and Jos. Th. Cuypers. The church has: a Romanesque sandstone baptismal font (XII), a pulpit from 1635 and a choir screen with Ionian pilasters and carved balusters from 1645. On the north wall of the nave an organ (1614) with painted shutters (1677) and carved parapet. This is a one-manual organ with partly 16th century pipework. Two copper candle crowns from 1691. Several tombstones, including late Gothic for Michael Ernst van Bamberch, drost of Hattem with a sculpted knight figure (1522) in the southern chapel dedicated to St. Anna. Wall and vault paintings. In the vaults of the northern side chapel representations of the annuciation and the birth with accompanying decorative motifs, towards the middle of the 15th century. The net vault of the high choir has paintings with coats of arms and praise, from the early 16th century and greatly improved during the restoration. On the net vault of the south side chapel praise work, figures of saints and in the apse Christ as the Man of Sorrows with angels holding the instruments of suffering, early 16th century. In this chapel there are also four paintings on the southern wall, seriously damaged and faded, including the "Feast of Job".

Historic city church with tower. Damaged by fire in 1654, restored except for the spire.

Dutch Reformed or St. Bartholomew's Church. Gothic cruciform church, of which the hall choir probably dates from the last quarter of the 14th century and the nave was enlarged to a hall nave in the 16th century. The nave was rebuilt again between 1650 and 1658. Due to subsidence of the tower, major renovations in the years 1927-1934, during which the transept was rebuilt and widened. Inventory Renaissance oxal with carvings, mid 16th century, converted into a lord's pew at the end of the 17th century; carved and polychrome text and commandment boards 1613 and 1614. Gravestones, 17th and 18th century.

The history begins in the 13th century, the first mention dates from 1280. The church, also called Brielse Dom, owes its name to the martyr Catherine, her image can be seen on the keystone of the vault next to the choir. The church already existed in 1280. In 1417, construction of the first tower began, which collapsed in 1456, probably due to a serious fire. The reconstruction of the nave and the tower took place between 1462 and 1482. The tower was only 57 meters high instead of 110 meters. The current dimensions of the church are 50 meters by 39 meters. Although the building was never completed, it is still an impressive church in the sober style of Brabant Gothic. The 57 meter high tower, covered with Gobertanger, a blond natural stone, has dominated the land of Voorne ever since.

Reformed Church. Date of foundation of the church originally dedicated to St. Catherine unknown; possibly there was already a church centre in Heusden in Carolingian times, but a church is not mentioned until the beginning of the 13th century. The current building, badly damaged in 1944 by the blowing up of the tower, during which three bays of the nave were also lost, now consists of a three-aisled nave with choir from the 14th century, a north transept and a north aisle from 1550, all gradually rebuilt and restored after a fire in 1572; on the choir year anchors 1637.

Historic city church; large three-aisled late Gothic hall church with high west tower, 87 meters, thus the highest church tower in Overijssel. Spire rebuilt in 1914 under the direction of Wolter te Riele Gzn. (1867-1937).

The current tower was built in the 15th and 16th century, before that there was a tower in the church building. The current tower has always served in previous centuries as a storage place for the fire brigade's hoses, which could be hung up nicely high in the tower to dry

The history of the church goes back to the year 1248, when a primitive court chapel, named after the patron saint Saint George, was replaced by a parish church.

Grote- of St. Laurenskerk. Late Gothic cruciform basilica, ambulatory and chapels against the side aisles and the straight part of the ambulatory. Wooden vaulting, with the exception of the chapels, which carry stone cross-ribbed vaults. Completely burned down in May 1940; restoration 1951-1968. The inventory includes: the copper railing of the choir screen made in 1711-1715, now placed between the choir pillars; a Renaissance organ case, circa 1540, originating from the Herv. Church in Schoonhoven, in the southern transept arm. In this organ case a three-manual instrument with free pedal, made in 1959 by the Marcussen company from Denmark; grave monument for Admiral Kortenaer (1665), van Brakel (1690) and Witte de With (1658). In the choir an early 18th century organ case with new lower case. In it a new instrument that falls outside the protection.