Chiesa della Sacra Famiglia

The Sacra Famiglia church, built in 1971-1974, is the first religious building made entirely of reinforced concrete. The architect, Paolo Portoghesi, wanted to create a building that would express Christians concepts such as unity and centrality of the divine through the choice of curved shapes. The different colours of the windows symbolize the dialogue between the human nature and the divine nature. The tubular structures can be assimilated to lit flames that orient visitors upwards, where the circular openings invite direct contact with God.

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Church of San Benedetto

The church of San Benedetto has its origins in the Benedictine Abbey of San Benedetto, the most important in Salerno. As the abbey was abolished by Napoleonic laws in 1807, the abbey church was transformed into a theatre. In 1845 the place was handed over to Archbishop Marino Paglia who entrusted the restoration work to the architect Giovanni Rosalba. The work was completed in 1857 and the church became the parish church of the Holy Crucifix. Ten years later, the anticlerical mayor of the time, Matteo Luciani, had the church transformed into a residence for military troops. It was only in 1963 that the church was returned to the clergy, while the monastery continues to be, even today, a military barracks.

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Church of San Michele Arcangelo

The church of San Michele Arcangelo was founded as a monastery in the 11th century. The present church is the result of a 17th-century reconstruction. In 1619 the convent was passed from the Benedictine nuns to the Poor Clares and was then suppressed in 1866, while the church was entrusted to the secular clergy. After restoration work, the building was reopened for worship in 2010.

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Cathedral of Salerno

The cathedral of Salerno was built in Romanesque style between 1080 and 1085, and then modified several times. The façade and the bell tower, redesigned in Baroque style, were restored to their original appearance in the 1950s and are now of great historical and artistic value. They are an important testimony to the Byzantine-Norman fusion of the period.