Church of Saint-Louis

Built in the 1920s, the Saint-Louis de Vincennes church was designed before the First World War. This shows the audacity of the young architects Jacques Droz and Joseph Marrast who, from the outset, chose to use the new material in architecture that reinforced concrete represented, to design a space dedicated to worship free of traditional walls and pillars. In addition to this, there was an immediate desire to turn it into an interdisciplinary artistic project heralding the revival of the sacred art of the inter-war period. Listed as a Historic Monument, it is one of the rare churches of this period in France, entirely preserved.

About this building

The architects designed a building with a centred plan, referring to Byzantine architecture; four large reinforced concrete arches delimit a single nave while giving the impression of a Greek cross; at their crossroads they bear an octagonal dome whose bays provide zenithal lighting. The hexagonal bell tower is 50 m high. The walls of the Saint-Louis church are made of millstones, sometimes crossed by a red brick apparatus. The interior decoration is the work of the Ateliers d'arts sacrés, founded in 1919, and includes frescoes by Maurice Denis and Henri Marret, ceramics by Maurice Dhomme, ironwork by Raymond Subes, sculptures by Carlo Sarrabezolles and Armand Boutrolle, glass canopies combining concrete and glass, all unique works recently completed by an organ designed by the organ builder Denis Lacorre.

Key Features

  • Architecture
  • Monuments

Visitors information

  • Parking within 250m
  • Café within 500m

Other nearby buildings

Wikimedia Commons

Holy Chapel

Founded in 1379, the Sainte-Chapelle, whose construction began just before the death of Charles V in 1380, was only inaugurated in 1552 during the reign of Henry II, after a very long interruption of work from the beginning of the 15th century. The college of canons was installed in February 1380. The Sainte-Chapelle de Vincennes is intended, like that of the Palais de la Cité in Paris, to house some of the relics of the Passion. In undertaking this project, Charles V wanted to make Vincennes, which was to be the second capital of the kingdom, while hanging on to the Palais de la Cité in Paris. The old traditional Parisian palace remains but, in Vincennes, in an adapted and grandiose setting strongly expressing by its quality, richness and decoration, the ideology of a triumphant monarchy, a new capital was born.

Wikimedia Commons/Mbzt

Church of the Holy Spirit

It is in a peripheral district of the east of Paris that this church dedicated to the Holy Spirit was built between 1926 and 1935. Cardinal Verdier entrusted this ambitious project to Paul Tournon, an architect with a classical education, who had just experimented with new techniques in Sainte-Thérèse d'Elizabethville (now Lubumbashi, Zaire).