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The new church in Værøy is a long stone church built in 1939 and restored in 1984. The architect of the church was Harald Sund. When the church was built, the municipality of Værøy could not afford to give it an altarpiece. In 1999 the church finally received an altarpiece, made by Karl Erik Harr.

Værøy Old Church is a long wooden church built in Kabelvåg in 1714 and moved to Værøy in 1799. The church was restored and extended in 1884. The earliest mention of a church in Værøy is from 1589, but there is still furniture from a church in Værøy from the 15th century.

Vølstad church is a wooden church built in 1959. The architect of the church is Per Nordan, the grandson of the architect Jacob Wilhelm Nordan.

The synagogue is located behind the private residences of the Wagenstraat. It was consecrated in the year 1844. It replaced an older synagogue which was situated at the Voldersgracht (dated ca. 1721/23). The Neo-Classical main façade includes a cornice and triangular pediment with a tondo window. The entrance itself is also adorned with a triangular pediment is supported by Tuscan columns. Rounded arched windows can be found in the side walls of the building. The entrance originally contained an unknown Hebrew inscription and the date 5604 (1844 CE) but these were removed in the year 1981. The synagogue was oriented along the short axis which meant that the Torah ark was situated against the long southeastern wall. The bimah was placed at the center of the assembly hall, facing the Torah ark. The building, including the galleries which are supported by slender Ionic columns, were expanded in 1922. The complex was expanded with the establishment of an administrative building and a second synagogue along the Nieuwe Molstraat (demolished in 1981), designed by the architect H. Elte Phzn in the architectural style of the Amsterdam School. The interior of the synagogue was damaged by fire during the Second World War in 1944. Three years later, the building was again consecrated as a synagogue after which the Jewish religious services resumed. In 1976, the building became abandoned and was subsequently sold to the municipality of The Hague. The decorated Torah ark (ca. 1723) was removed and relocated to Israel in the same year. The building was repurposed as a mosque which opened its doors in the year 1979. The front façade of the building received Arabic inscriptions and two large steel minarets were placed in the forecourt of the building.

The Waldensian Evangelical Church of Trevi is a project of Benedetto Andolfi, built in 1883-84. The construction was carried out under the impetus of the Waldensian community recently settled in Rome. The exterior is in neo-Romanesque style and the main entrance of the building consists of a large semicircular arch with a wall almost entirely mosaic of phytomorphic elements, in the centre of which is the portal with a semicircular lunette and a rose window with a marble frame with arches.

The Waldensian church in Florence was built between 1892 and 1904 by the Scottish architect George Frederick Bodley. It was then a reconstruction of the first Anglican church in Florence, dating back to the 1840s. In 1966, the church was purchased by the Waldensian church which previously met at the temple in via dei Serragli, inside the Ricasoli-Salviati palace. Because of its Anglican origins, the Waldensian church has an English neo-Gothic style.

The Waldensian temple in Piazza Cavour was built between 1911 and 1913 and houses the headquarters of the Waldensian theological faculty. The construction of this second Waldensian temple in Rome (the first being the Waldensian Temple of Trevi) was made possible by the American widower John Stewart Kennedy, who in 1910 bought land on behalf of the Waldensian Evangelical Church. The church is the work of engineer Emanuele Rutelli and architect Paolo Bonci and is an eclectic mix of decorative elements from neo-Romanesque and Art Nouveau architecture.

The Waldensian temple in Milan was built between 1949 and 1952 to replace the old Waldensian temple of 1881, demolished in the first years after the Second World War to allow the opening of via Alberto Albicci. On the outside, the building is characterized by its facade, which comes from the church of San Giovanni in Conca (the 19th century Waldensian temple). The facade, dating back to the twelfth century, was restored to its original form with a neo-Romanesque restoration in 1879. The interior of the church is in modern style.

The Waldensian Temple of Turin was inaugurated in December 1853 in the presence of the ambassadors of Prussia, England, the Netherlands and Switzerland. Until 1848, the Waldensians were not allowed to reside in Turin, let alone worship there. The few people present in the city attended services in the chapel of the Prussian Embassy. The Waldensian temple in Turin is presented in a sober neo-Romanesque style with neo-Renaissance influences, especially in the interior.

Waldsassen Abbey is a Cistercian abbey founded in 1133 by Margrave Diepold III von Vohburg. It was burnt down during the War of the Landshut Succession (1503-1505) and rebuilt in 1517. When the Reformation led to the conversion of the inhabitants of the region to Protestantism, the abbey was secularised. However, the Cistercian monks of Fürstenfeld Abbey returned to the country in 1661. The abbey and its abbey church were consecrated in 1704 after being rebuilt in the Baroque style from the 1680s onwards. The famous library was completed in 1727. The abbey was abolished in 1803 and now houses a large part of the girls' secondary school (Realschule) run by the Cistercian sisters.