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The church of San Bartolomeo is one of the oldest examples of Romanesque art in Campobasso. The church dates back to the middle of the 13th century and has a facade with a horizontal crown, the central part of which is higher than the sides. The pseudo-prothyrum that adorns the portal is the most obvious element of the façade and consists of two blind arcades divided by two columns leaning against the wall.

The church of San Bartolomeo, which has been the headquarters of the Society of Jesus since 1602, was built on the site of the old parish church dedicated to the same saint, according to a project by the Jesuit father Giorgio Soldati of Lugano. After demolishing the cramped and obsolete building, the Jesuits began work on the new church in 1607, which was finally completed, including the bell tower, in 1629. The imposing façade, with its grandiose lines, influenced by the Baroque style of Borromini, was designed by the Piacenza architect Andrea Galluzzi.

The date of construction of the church of San Bartolomeo is not yet known, but the discovery of an 11th century single-light window in the centre of the apse wall confirms the pre-existing Romanesque architectural structure. The current façade, which replaces the pre-existing baroque façade, already remodelled after the earthquake of 24 July 1654, is in neoclassical style and reproduces the layout of a Greek tetrastyle temple, with a nave flanked by a pair of false bell towers placed at the end of the façade itself. The interior of the church was embellished and took on its present configuration between the 16th and 18th centuries.

According to tradition, the church of San Bartolomeo was founded in 840. This discreet church is nestled between the palaces that surround it on all four sides. It is a single nave church with a dome at its intersection with the transept. The church also houses two sculptures by Enrico Merengo (1638/1639-1723).

The present church of San Benedetto Abate was built over an earlier church between 1761 and 1767 to a design by the Venetian architect Giorgio Massari. On the outer gable, three statues attributed to Antonio Bonazza represent St. Benedict, St. Lucy and St. Agnes. On the pillars of the church square there are nine statues of saints attributed to the Paduan sculptor Francesco Androsi (1713-1785).

The church of San Bernardino da Siena was built by the Confraternity of St Bernardino. The building site was opened in 1604 and, once the work was completed, the interior was enriched with refined furniture and numerous works of art. The painting "San Bernardino da Siena salva Carpi da un esercito nemico" by Ludovico Carracci (1555-1619) deserves special mention.

The church of San Bernardino was built on the ruins of an old oratory at the suggestion of Carlo Borromeo (1538-1584). From the old oratory, part of the brick and pavement walls have survived, as well as a terracotta tile which is now inside the church. The old oratory was also dedicated to Saint Bernardino.

The church of San Canciano is traditionally considered to have been founded in 864, it was certainly destroyed by fire in 1105, and immediately rebuilt and completely renovated in 1330, and consecrated on 20 May 1351 by the Bishop of Jesolo, Marco Bianco. A further renovation was ordered in the 16th century, creating the present internal structure. At the beginning of the 18th century, the façade was completed according to a project by Antonio Gaspari, thanks to the donation of the parishioner Michele Tommasi, to whom the bust above the entrance door is dedicated.

Founded between 1154 and 1160, the church of San Cataldo was later entrusted to the Benedictines of Monreale, who kept it until 1787. It is a building of Arab-Norman style classified as a World Heritage Site by UNESCO.

The church of San Cipriano was built in 1975 by the architect Alberto Fiessa and is dedicated to Saint Cyprian. The church has an octagonal plan, with projecting bricks, which give movement to the exterior. The interior has a unique plan, with a sort of small nave that goes around it. The two stained glass windows, made by G. Sarti and C. Alessandrini, are of great artistic value.