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The church of Santa Maria delle Grazie was built between 1538 and 1540 and its foundation is linked to the discovery of a fresco, on a rocky wall, representing the Virgin suckling her Son. Following this event, the primitive church was built incorporating the fresco. The construction was carried out by the main families of the village (De Cesare, Consiglio, Liguori, Giordano, Giiuliano), responsible for the administration of the village. The facade is in an eclectic style, in which, however, a classical style emerges, evident in the aedicula on the second floor and in the crowned pediment.

Built in the late 14th and early 15th centuries, the Church of Santa Maria do Azogue is a Gothic marvel that displays a harmonious mix of styles and artistic influences. The exterior façade, a true masterpiece, beckons visitors with striking decorations. Displaying Gothic roots, the church has a three-arched basilica plan and transept.

A first church was built here in antiquity, mentioned in the acts of the synod of Pope Simmaco in 499. Pope Paschal I (817-824) had the basilica rebuilt in 818-822, endowing it with mosaics. The appearance of the present church of Santa Maria in Domnica, however, owes much to a reconstruction in the 16th century, when the church was closely linked to the Medici family.

The church of Santa Maria in Punta, whose date of construction remains a mystery, may have been founded as early as the 9th century as a monastery church. The church was also once home to the oldest school in Budva. The church has long since been desecrated and has been used for many purposes. It was a warehouse for an archaeological collection of artefacts and today it is a space for art exhibitions and concerts.

The church of Santa Maria in Solario was built in the middle of the 12th century in the complex of the monastery of Santa Giulia. Already in the 15th century, the upper hall of the church was decorated with frescoes, but most of the frescoes that can be admired today were painted by Floriano Ferramola between 1513 and 1524. Put out of use, like the rest of the monastery, in 1797, the church was not recovered until the second half of the twentieth century and since 1998 it has been part of the itinerary of the Museum of Santa Giulia, founded on the premises of the former monastery.

The church of Santa Maria in Via was founded as a chapel in the 10th century but in 1594, it was completely rebuilt, based on a project by Giacomo della Porta, by Francesco Capriani da Volterra. In 1897, due to the opening works of the new via del Tritone, it underwent the rebuilding on the north side.

The Church of Santa María la Mayor was built in the 16th century and renovated in the 18th century. The nave and the last three parts of the church seem to date from this period, modeled on the earlier style. The church has a rectangular ground plan, three aisles and a straight head to the east, in keeping with the style of the so-called "hall churches".

The church of Santa María la Real was built between the 15th and 16th centuries. The current church is built on the site of an earlier Romanesque church, of which only the tower remains. The Elizabethan Gothic façade of the church of Santa María la Real was completed, according to experts, between 1514 and 1516.

The church of Santa María Magdalena is a Romanesque church built between the 12th and 13th centuries. The church seems to have been built in two periods: the first of Romanesque influence, the second of Gothic influence. The temple would have belonged to both the Hospitallers and the Knights Templar.

Santa Maria de Cadaqués is first mentioned at the end of the 13th century. The present church, consecrated in 1642, is a reconstruction of the old church which had been burnt down by pirate raids as early as 1444 and 1548. The nave closest to the entrance dates from the 17th century and the Fonda Capella, on the left wall, dates from the 18th and 19th centuries.