Milan Cathedral

Unlike most Gothic cathedrals, which have two towers in front, Milan cathedral's silhouette has a unique shape, being covered in many small pinnacles. With about 3,400 statues, 135 gargoyles and 700 figures, there are more statues on this cathedral than any other building in the world. By climbing the stairs up to the rooftop you’ll experience a breathtaking view of the city of Milan and, on sunny days, the gigantic Alps. Visitors can also see the gold-colored statue of the Virgin Mary standing on the cathedral’s highest spire, also called La Madonnina.

About this building

For more information, please visit the official website.

Other nearby buildings

Chiesa di Santa Maria presso San Satiro

The church of Santa Maria presso San Satiro was built in the 15th century, designed according to new Renaissance forms imported into the duchy by Donato Bramante. The church is famous for housing the ‘fake Bramante chorus’, a masterpiece of Italian Renaissance perspective painting.

Wikimedia Commons/Paolobon140

San Bernardo alle Ossa

In 1268, a small church was built. Before that, there was only a graveyard and a room were exhumed bones were gathered. In 1642, the bell tower of the Basilica di Santo Stefano collapsed and demolished the church and the ossuary. It was immediately rebuilt and has remained the same until today. The bones that are displayed in the ossuary are from local poor people. Most of them died of natural causes in the old Brolo hospital, but there are also skulls of people who died by violence or criminals who were beheaded.

Wikimedia Commons/G.dallorto

Chiesa di Sant'Antonio Abate

The church of Sant'Antonio Abate was built in the 13th century on the site of a 4th-century temple. The present church, however, is a reconstruction from the Mannerist period (1582). The church has a beautiful 15th-century bell tower, restored by Luca Beltrami, and a terracotta cloister, dating from the early 16th century. In 1577 it was entrusted to the Theatines. The Theatines fitted out the cloisters and commissioned Dionigi Campazzo, one of the architects of the Ca' Granda, to rebuild the church in the Counter-Reformation style. A second decorative campaign began in the third decade of the 17th century.