Bethaniëkerk

New, modern church building of the Reformed Church, without tower, built to replace the former church building. On 13 June 1982, the congregation met for the last time in the old church building. From 20 June, church services were held in the Seventh-day Adventist Church. It was not until 1985 that new construction could begin when the site had been completely cleaned up. On 26 August 1986, the new church building, the Bethaniëkerk, was put into use. The church building had 300 seats. A new pipe organ was also put into use. In 1999/2000, an internal renovation took place. The Reformed Church of The Hague South was then merged with The Hague Centre.

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Other nearby buildings

Apostolische kerk

Detached church from 1868 in eclectic/neo-romanesque style designed by CW van Capellen, built by contractor G. Klomp for the Catholic Apostolic Community. The church is located behind the building line and is separated from the street by a wrought iron fence with cast iron uprights. Behind the fence is a forecourt.

Heilige Theresia van Avila

On the site of the chapel of the Spanish legation, opened in 1649 and elevated to a state in 1807. Three-aisled neoclassical hall church with Ionic columns and stuccoed wooden vaults, over the central nave with ribs. The plastered front facade has a central risalit with paired half columns, which carry an entablature and pediment, above which a bell tower. On either side of the risalit pilasters and attic-like attachments with volutes. On the choir side a parsonage, under one roof with the church. Neo-Baroque inventory preserved in its entirety: altar 1841 by Charles Geerts in Leuven, who also supplied the pulpit in 1849; altarpiece by Mathieu; organ by FB Loret (Mechelen) from 1851, modified in 1924 by JJ van den Bijlaardt (Dordrecht), restored in 1963 by Jos. Vermeulen (Alkmaar); Statue of Teresa by Stracké.

H.H. Jacobus en Augustinuskerk

Completely enclosed clandestine church, built 1720-1722 by an unknown architect. The interior finish, however, is reminiscent of Daniël Marot. Richly stuccoed ceiling with representations of the ascension of Christ. Baroque altarpiece with altarpiece of Christ on Mount Thabor by M. Terwesten. Pulpit from 1729 by JB Xavery, the crowning somewhat later. Organ (National Monument) by Rudolph Garrels from 1726.