Notre-Dame-de-Paradis Basilica

Although the identity of the master builder who built the chapel is not known, recent research has shown the influence that another major building of Morbihan religious architecture, Notre-Dame-de-Quelven en Guern, built at the end of the 15th century, may have had on the Hennebont site. Consecrated in 1524, the Notre-Dame-de-Paradis chapel was practically completed around 1554.

About this building

16th century chapel, never completed. The building was to have been vaulted in stone, according to the bases of the vaults waiting in the nave, but these were never completed. They were replaced by a panelled vault, applied to the framework, probably as early as the 16th century. In the 19th century, plaster rib vaults were made on a wooden structure.

Key Features

  • Architecture
  • Stained glass
  • Atmosphere / quiet space

Visitors information

  • Bus stop within 100m
  • Parking within 250m
  • Café within 500m

Other nearby buildings

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Church of Saint-Gildas

The church of St Gildas owes its name to a 12th century priory which depends on the Benedictine abbey on the Rhuys peninsula. It was designed on the site of the former priory by the architect Gilles Monsay who combines medieval forms and baroque style. Work began in 1623 but was not completed until 1663. The bell tower of the three-storey square tower, however, was not completed until 1701. It dominates the whole town and will serve as a model for the region.

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Church of Saint-Thuriau

The Church of Saint-Thuriau is located in Plumergat, Brittany, on a former site of prayer and druidic sacrifice. Built in the Romanesque style (eleventh century), it was relatively unchanged until 1948, when many changes were made, without altering too much the general structure of the building. Above the gate stands a fourteenth century bell tower, broken by a small outfacing bay. There is a polychrome wooden altarpiece and Romanesque capitals from the twelfth century (listed Historical Monuments).

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Church of Saint-Cornély

The church of Saint Cornély de Carnac has a reliquary bust of the saint in gilded wood so heavy, it seems, that it takes 4 people to lift it. The church is one of the most beautiful examples of the Renaissance style in Morbihan (17th century). One can appreciate its side porch (1792) surmounted by a granite baldachin, apparently carved from a local menhir. In the shape of a royal crown, it is the work of a stonemason from Baud named Kergoustin.