Church of Sainte-Marie-Madeleine

The church Sainte-Marie-Madeleine Celles-sur-Ource was dependent on the abbey Notre-Dame de Mores, its former Cistercian abbey neighbor. Built in the sixteenth century, it has a Gothic nave of three spans, extended by a flamboyant five-sided Gothic style choir. You can admire a statue of Mary Magdalene in polychrome limestone (seventeenth century), a high altar with altarpiece and tabernacle (seventeenth century), a painting by P. Cossard (eighteenth century) and windows of the sixteenth century.

About this building

The church Sainte-Marie-Madeleine Celles-sur-Ource in the Aube was dependent on the Abbey of Our Lady of Mores, a former Cistercian abbey founded by Saint Bernard.

Built in the sixteenth century on a Latin cross oriented plan, it has a Gothic nave of three spans, extended by a flamboyant five-sided Gothic style choir. The vaults of the choir are six branches of warheads, liernes and tiercerons. Those of the transept are of the same style but with four branches. Some keystones are carved. The collaterals were built in the 18th century by adding the walls of the nave and transepts. The square tower of the tower was raised in the nineteenth century (the arrow initially planned was not realized) as well as the entrance porch and the sacristy.

Inside, one can admire a statue of Mary Magdalene made of polychrome limestone (seventeenth century), a high altar with altarpiece and tabernacle polychrome carved oak, gilding and faux marble (seventeenth century), a table showing the Christ on the Cross and Madeleine painted by Pierre Cossard (1720-1784) and 16th century windows. Many of these objects are classified.

Key Features

  • Architecture
  • Monuments

Other nearby buildings

Wikimedia Commons

Church of Saint-Phal, Avirey-Lingey

The St Phal Gothic church (16th century) was built according to the model of the hall churches, but the rectangular nave, which is extended by an apse, was ultimately only built to one span instead of the traditional four. Note the double transept that surrounds the choir and the two flamboyant gates: one Gothic and one Renaissance. In the nineteenth century, work was carried out under the direction of the architect Lorillard. This truncated hall-church is interesting for its architecture, its windows and its portals.

Sauvegarde de l'Art Français

Church of Saint-Parres

The Church of Saint-Parres, registered with the Historical Monuments, is located in Praslin, in the Grand Est region (Champagne-Ardenne). The church was built in the sixteenth century to a Latin cross plan. It includes a nave that was rebuilt in 1770 by the inhabitants, a choir that was restored in 1786 and a bell tower built in 1882. There is a stained glass window, depicting Christ with links and various statues from the sixteenth century.

Sauvegarde de l'Art Français

Church of Saint-Martin

The Church of Saint-Martin is located in Thorey, in the Burgundy-Franche-Comté region. It was built in the 17th century, without a bell tower, on the site of an older 13th century church. Around 1870, the building was remodeled. On the west facade, a small carved portal adorned with columns (one of which is missing) bears a frieze with foliage. Inside there are several classified objects, including a stone statue of St. Eloi from the sixteenth century.