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The Basilica of Santi Maria e Donato was founded in the 7th century. The church is a masterpiece of Venetian-Byzantine art, known for three things: its magnificent chevet, the mosaic of its semi-dome apse depicting the Orante Virgin (11th century), and above all its exceptional mosaic pavement reminiscent of that of the Basilica of San Marco in Venice (11th-15th centuries).

The Basilica of the Holy Apostles was first built in the 4th century by Pope Julius I (337-352). The present church, however, was built from the 14th century onwards, as the old Basilica of the Holy Apostles was destroyed by an earthquake in 1348 and abandoned. The façade was built at the end of the 15th century by Baccio Pontelli. The frescoes were painted by Melozzo of Forlì, whose murals of the Holy Apostles are renowned for their innovative perspective techniques and are considered his masterpiece. Today, the basilica is under the responsibility of the Franciscan conventual order, whose headquarters are in Rome in an adjacent building.

The Church of the Redeemer was designed and begun in 1577 by the architect Andrea Palladio and completed by Antonio da Ponte in 1592. The construction of the church followed the plague epidemic that struck Venice from 1575 onwards and decimated almost one in three Venetians. In September 1576, when the disease seemed unstoppable, the Senate asked for divine help by vowing to build a new church dedicated to Jesus the Redeemer. The Feast of the Redeemer is a festival held annually in Venice on the third Saturday and Sunday of July to commemorate the end of the great plague epidemic of 1575-1576.

The Basilica of the Sacred Heart of Jesus was built between 1870 and 1887, according to the plans of the architect Francesco Vespignani. The church was commissioned by Pope Pius IX (1846-1878), but due to the annexation of Rome to the Kingdom of Italy, work was interrupted. It was only thanks to the tenacity of the priest John Bosco that construction was resumed in 1880 and completed in 1887.

The Collegiate Basilica of the Holy Sepulchre was first mentioned in 1130, at a time when the old pilgrims' hospital, dating from the late 11th to early 12th centuries, was attached to the church. In 1291, the Patriarch of Jerusalem, Randulphus, brought back from Jerusalem a fragment of the real wood of the Cross of Christ, which has been particularly venerated in the Church of the Sepulchre ever since. In 1456, an earthquake caused severe damage to the bell tower in the northwestern wing of the church. In 1556, the priory of the church was entrusted to the Knights of the Order of Malta, who took possession of the church of the Holy Sepulchre, until their abolition in 1799. Between 1968 and 1972, the entire building underwent a complex restoration.

The presence of the Basilica of Our Lady of Humility is already attested in ecclesiastical documents dating back to the 13th century and its existence is presumed to have been between the 7th and 11th centuries. Its architectural importance is due to the dome designed by Giorgio Vasari (16th century), 59 metres high. Giovanni Domenico Ferretti painted frescoes in it during his stay in Pistoia from 1720 to 17251.

Basilica della Santa Casa is one of the most important pilgrimage sites of Christianity in Italy.

Santissima Annunziata is the founding and monastic church of the Servite Order. The church was built in the 13th century and was rebuilt in its current form in the first half of the 15th century.

The Basilica of Santissima Annunziata del Vastato It was the work of the Franciscan friars in the 16th century. The church displays a style typical of Late Mannerism.

Constructed in 1116, this church is one of the most important examples of the romanesque style on the Island of Sardinia. It is constructed of local black basalt and white limestone, creating a striped appearance.