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The empire choleric chapel of the Virgin Mary, built in 1832 by Florian Lang, the provost of Křížovnice, in gratitude for the fact that Hradiště escaped the cholera epidemic plaguing Znojmo. In the vicinity of the chapel, the emblem of the Teutonic Order was built of white stones. Over the decades, however, the emblem was dismantled, and from the remaining scattered stones, folk creativity created a legend of petrified grazing sheep.

Now known as the Chapel of Our Lady of Livração, the ancient Church of Saint Martin of Fandinhães stands as a veritable enigma. As visitors approach the building, they see what appears to be a church in ruins. Tradition narrates its dismantling and the documentation does not contradict it. The archaeological excavations (2016) confirm it by having identified the foundations of the north and south walls of the ship, in the continuation of the one currently visible to the surface. Here several Romanesque influences intersect. The figures standing against sheets protruding in the portal can also be found in the Churches of Travanca (Amarante) and of Abragão (Penafiel). In the churchyard, it is possible to see traces of a cornice on little arches, a common motif of the Romanesque in the basin of the river Sousa, who came to the latter via Coimbra. The dihedral logs in the crevices show the influence of city of Porto, from the French region of Limousin. The beak-heads [animal head with a prominent beak] on the south side crevice remind us of the influence of the Benedictine Romanesque on the Braga-Rates axis. While most corbels feature geometric motifs, one of them presents an exhibitionist, male figure depicted naked and with his right hand on the genitals, a motif also found in the Church of Tarouquela (Cinfães).In the churchyard, two burial covers: one with the depiction of a sword and another with an inscribed cross.

The Chapel of Our Lady of Fatima, simply known in the region as Capela das Hortas do Tabual, is located at the entrance to the village of Hortas do Tabual.

The chapel of the Chapel of Our Lady of Lourdes, or "little church of Grava", was completed in 1907 and is the destination of frequent pilgrimages by the local population. Simple on the outside, the church houses inside a painting depicting St. Joseph with the Child Jesus, enclosed in a beautiful inlaid frame, a total of fourteen paintings, two statues, dating from 1907, are the work of the Val Gardena artist Corrado Pitscheider.

The Chapel of Our Lady of Monserrate an 18th century built beneath one of the arches of the Aqueduct of Sao Bento Street in Lisbon.

Two designations resulting from two Marian invocations born in the Medieval Ages are given to this Chapel, built in the place of Quintã: Lady of Piety and/or Lady of Quintã. Both invocations, however, had the same mission: to defend the agricultural area of the now extinct "Honra de Baltar" [territory], where the Chapel was integrated, as it is referred to in the Memórias Paroquiais [Parish Memorandum] of 1758. In the chancel, the top corbels announce the Gothic and allow dating its construction between the 13th and 14th centuries. Inside, the careful gilding of the ashlars [stones] stands out, highlighting their good framing, including those that comprise the triumphal arch and denounced the intervention of the Modern Era. In this Age, this small medieval Chapel would already have been expanded, by adding a nave. This expansion is easily visible on the exterior layout of ashlars, of a more vernacular [traditional] aspect than the one in the chevet (the primitive chapel), and reveals itself in the main portal with voussoirs [stones forming the arch] of an irregular profile. The agricultural area that surrounds the Chapel recalls the protective importance of the invocation and spiritual reference of the small temple.

The chapel and hermitage of Notre-Dame du Scex were probably founded at the end of the 7th century. During the 17th century, the chapel was transformed. Faced with the influx of pilgrims, the religious building was not only repaired but also enlarged. The present chapel, however, dates from the 18th century, when the sacristy was rebuilt, the choir and the chapel were tiled, the entrance was paved, the fountain was repaired as well as the access road to the sanctuary, three small bells were installed. The chapel is under the jurisdiction of the abbot of Saint-Maurice d'Agaune.

The Chapel of Our Lady of Vale may have been built in the late 15th century or early 16th century. The main portal and its sculpture show how medieval motifs [Romanesque and Gothic] have lingered through time. The Chapel comprises a rectangular nave and a square chancel with wooden ceilings. This Chapel would have initially had a stone vault with crossed ogives. This monument maintains traces of mural painting, with representations of angel musicians. This painting, dated 1530-1540, suggests the presence of a high-quality workshop, probably linked to master Arnaus. The presence of the pulpit outside the Chapel should be understood in the scope of pilgrimage since the large influx of devotees tended to hold open-air celebrations here. Both the porch and the pulpit are common to this type of devotional chapel. The location of this Chapel explains the devotion to Our Lady of Vale, showing how its foundation is connected to the farming interests and religiousness of the local people.

The Chapel of Profitis Ilias in Smari was the temple of a former monastery dedicated to this saint. The remains of the monks' cells are still visible today.

The Chapel of St. Barbara, popularly called Barborka, stands on the site of a former early Gothic church dedicated to the same patroness. The chapel served mainly as a family tomb for the owners of the Buchlov estate, but the judges of the hunting law and hermits of the Order of St. Francis are also buried here.