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The chapel and hermitage of Notre-Dame du Scex were probably founded at the end of the 7th century. During the 17th century, the chapel was transformed. Faced with the influx of pilgrims, the religious building was not only repaired but also enlarged. The present chapel, however, dates from the 18th century, when the sacristy was rebuilt, the choir and the chapel were tiled, the entrance was paved, the fountain was repaired as well as the access road to the sanctuary, three small bells were installed. The chapel is under the jurisdiction of the abbot of Saint-Maurice d'Agaune.

The Chapel of Our Lady of Vale may have been built in the late 15th century or early 16th century. The main portal and its sculpture show how medieval motifs [Romanesque and Gothic] have lingered through time. The Chapel comprises a rectangular nave and a square chancel with wooden ceilings. This Chapel would have initially had a stone vault with crossed ogives. This monument maintains traces of mural painting, with representations of angel musicians. This painting, dated 1530-1540, suggests the presence of a high-quality workshop, probably linked to master Arnaus. The presence of the pulpit outside the Chapel should be understood in the scope of pilgrimage since the large influx of devotees tended to hold open-air celebrations here. Both the porch and the pulpit are common to this type of devotional chapel. The location of this Chapel explains the devotion to Our Lady of Vale, showing how its foundation is connected to the farming interests and religiousness of the local people.

The Chapel of Profitis Ilias in Smari was the temple of a former monastery dedicated to this saint. The remains of the monks' cells are still visible today.

The Chapel of St. Barbara, popularly called Barborka, stands on the site of a former early Gothic church dedicated to the same patroness. The chapel served mainly as a family tomb for the owners of the Buchlov estate, but the judges of the hunting law and hermits of the Order of St. Francis are also buried here.

This small chapel is located in a quiet corner of the historical centre. Former oratory of the district, the chapel was enlarged until the 20th century. Inside, two statues of Saint Erasmus and Saint Francis can be admired, as well as a magnificent painting of the Virgin and Child next to the Patron Saint.

The Chapel of Saint Hubert, dating from 1627, is topped by a small octagonal bell turret with an iron cross at its summit. This itself carries a cross and key symbol which was probably that of the Saint Hubert abbey. There are some statues of saints inside. When the chapel is closed a small opening in the door allows one to view the interior.

The Chapel of Saint Jerome, or University Chapel, was built between 1761 and 1767 by the architect Simón Gabilán Tomé. This chapel was built on the site of the famous "Sky of Salamanca", the work of Fernando Gallego in the 1480s, which was rediscovered around 1952, when a major restoration of the university buildings was carried out for the celebrations of the VII Centenary of the University (1953-54). This mural was moved to the Escuelas Menores building.

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The present chapel building is the result of successive campaigns of work and restoration: built from the Romanesque period, it has been shaped over the centuries. The construction of the chapel dates back to the 12th century. The porch is from the 15th century. For example, bays were opened or enlarged in the 17th century, the bell tower was rebuilt between 1772 and 1774, as was the sacristy. In 1999, donations were granted for structural work (masonry, roofing and carpentry).

This building is on the site where a strong castle, owned by the Counts of Comminges, was demolished in the 17th century on royal orders, leaving only the castral chapel dating from the end of the 11th century to remain. It is a stopover on the way to the Pyrenean Piedmont of Santiago de Compostela. The interior has murals of rare iconography from the 13th century. After a climb under the gigantic cedars, you will discover its southern portal decorated with arches on balusters and sculpted capitals.