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The church of San Michele Arcangelo is a 12th-century church from a monastic complex. A monastery dedicated to St. Michael is attested in Pescia since 1104 and an annex church since 1173. The present appearance is mainly due to the enlargement and renovation works of the 16th century. In 1785 the monastery was secularised and transformed into the Conservatory of San Michele. In 1866, the property and assets became state property. Restored in 2004, the complex now houses the Liceo Lorenzini, the art gallery and the parish of San Michele.

The church of San Michele in Borgo was built with a Benedictine monastery from the 11th century. It is noted for its facade of the 13th-14th century which unlike the rest of the building, was spared by the bombings of the Second World War. Restoration work has been ongoing since 1986.

The church of San Michele in Foro was built in the 8th century and was restructured from around 1070, by order of Pope Alexander II, until the 14th century. The window decorations in the crypt, now closed, date from the same period and can be seen on the outside at the base of the apse. The bell tower was removed at the request of Giovanni dell'Agnello, Doge of Pisa from 1364 to 1368, because the sound of his bells could be heard as far away as Pisa and it was a sign of superiority over his city.

The church of San Michele was founded by Count Guglielmo Peralta in 1371 and rebuilt in the 17th century by Natale Amodeo. The interior, in the shape of a Latin cross divided into three naves, preserves a wooden cross in Catalan Gothic style, a 15th-century marble bas-relief of St. John and Our Lady of Sorrows, painted by Tresca in 1788, a marble baptismal font from 1586 and a silver reliquary monstrance containing two thorns from the crown of Christ. The paintings decorating the church are by Luigi Schittone.

The Church of the Blessed Sacrament and St. Michael the Archangel, known as the Church of San Michele, dates back to the 18th century when it was built together with a monastery, completed in 1706. Following the eruption of Vesuvius in 1794, half of the church was buried by lava, while the monastery was almost completely destroyed. In 1803, the Congrega del Santissimo Sacramento e San Michele Arcangelo bought and restored the church in 1804.

The original church of San Moisè is said to have been erected at the end of the 8th century by the Artigeri and Scoparii families and was originally dedicated to St Vittore. The church has been rebuilt over the centuries, but it is the 17th-century reconstruction that has had the greatest impact on the church. The façade was built in 1668 thanks to the financing of the brothers Vincenzo and Girolamo Fini who, according to their wishes, are represented on two busts placed above the side entrances. The project was carried out by Alessandro Tremignon from Padua, brother of the parish priest of the time, Andrea. In 1810, due to the Napoleonic edicts, the parish was suppressed and integrated into San Marco.

San Nicola was probably built in the 11th century as part of a convent. The church is famous for its bell tower, a possible addition of the 13th or 14th century when the Augustinians enlarged the church.

The Church of San Nicola da Tolentino, known as I Tolentini, is a 16th and 17th-century church whose adjoining convent is the seat of the Iuav University of Venice (Faculty of Architecture). The church was designed and built by Vincenzo Scamozzi between 1591 and 1602. Later, Andrea Tirali added a pronaos with a tympanum and six Corinthian columns to the unfinished façade (1706-1714). This church was hit by the Austrian bombardment of 1849: a cannonball, which fell in front of the high altar, shattering the false dome, is now embedded in the facade, as a reminder of this episode.

The church of San Nicola di Bari was built on the remains of the church of San Pellegrino, now destroyed, after a fire in 1226. According to tradition, it was completed in 1242 or 1292. In 1319 the church became a parish church. The church was decorated in the Italian Gothic style, and in the 17th century, there were some Baroque modifications which enlarged the original plan, adding three naves. In 1868, the church being in a precarious state of preservation, it was restored by Filippo Sargiacomo in the neoclassical style.

The church of San Nicolò ai Cordari was built in the Norman period, immediately after the period of Arab domination in the city of Syracuse. In 1577, the church was granted to the cordari (rope makers) who worked their ropes in the limestone quarries of Neapolis, located beyond the church. With the establishment of the Neapolis Archaeological Park in 1955, it became the headquarters of the information office for visitors preparing to tour the vast archaeological park. The church was and still is the entrance to the park. It now houses a small photographic museum which exhibits period photographs of all the Syracuse monuments located in the Neapolis Archaeological Park.