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The church of Santa Maria in Monserrato degli Spagnoli was built from 1518 on an old church founded by a Catalan in the 14th century. The new church was designed by the architect Antonio da Sangallo the Younger. Work was interrupted due to a lack of resources, so it was not until 1675 that the apse was completed. The church was completely restored in 1818-21 and was rededicated in 1822. Santa Maria in Monserrato is one of the national churches of Rome, this one being dedicated to the Spanish community.

Santa Maria in Portico was built between 1659 and 1667 after an icon of the Virgin Mary, carried in procession through the streets, was credited with saving the town from the plague of 1656. The 25 cm high icon of the Virgin Mary is dated by style and dendrochronology to the 11th century. It used to be in the old oratory of Santa Gala, now demolished.

The church of Santa Maria in Publicolis is first mentioned in the 12th century. In the 16th century, the church was called Publicolis, because the noble Santacroce family, which had the patronage of the church, wanted to trace its family tree back to the Roman consul Publius Valerius Poplicola (6th century BC). Since the middle of the 19th century, the church has been entrusted to the Missionaries of the Sacred Hearts of Jesus and Mary, who have made it their general house.

The church of Santa Maria in Silvis dates back to the 15th century. It was then the parish church of Pisogne until it was replaced by the parish church of Santa Maria Assunta in 1798. The façade has a special pictorial decoration in squares. After ten years of restoration work, the church was reopened in a solemn ceremony on 16 September 2007.

The church of Santa Maria in Traspontina was built in the 16th century. The architect of the building was the Bolognese Ottaviano Mascherino, who also built the first nucleus of the Quirinal Palace and the church of San Salvatore in Lauro. Inside, the church has a Latin cross plan: a single nave hall with side chapels, a slightly projecting transept, a covered transept with a dome and a deep choir ending in a semicircular apse.

The Church of the Convertite was founded in the 16th century with an Augustinian convent, running an institute for the "Convertite", mostly former prostitutes. The converts learned to read, sew and weave, as well as recite psalms and devotions. The complex was abolished by Napoleonic decrees in 1806. A military prison was set up in the convent, which was later transformed by Francesco Giuseppe into a prison for women in 1837.

The church of Santa Maria Maddalena, also known as the church of Ponzella, was consecrated in 1728. The bell tower was rebuilt in 1930. The new tower, which is larger than the previous one, is in Venetian style. In 1979 the church of Santa Maria Maddalena was completely restored.

The church of Santa Maria Maggiore is a Gothic church that was mentioned as early as 931. The church was rebuilt in the 11th century. In 1176, the church obtained the status of collegiate church and became one of the priories of Florence. In the 13th century, it was acquired by the Cistercians and the church was rebuilt, including its façade. In ruins at the beginning of the 16th century, the church was given to the Carmelites of Mantua in 1521.

The church of Santa Maria Maggiore is a 13th-century church. The most characteristic feature of the church is the majestic Gothic façade by the master Francesco Petrini of La Spezia, built in the 14th century, with a magnificent portal dating from 1317. At the same time, a tower was erected, flanked by another twin, which, according to local chronicles, was destroyed in the earthquake of 1600. With the restoration of 1540, the layout of the Gothic church was completely changed, with the demolition of the left nave to make way for a large central nave, the entrance to which faced the bell tower.

The church of Santa Maria Mater Domini was, according to the chronicles, built in 960 and attributed from the beginning to the adjacent monastery of Santa Cristina. Rebuilt twice after fires in 1105 and 1149, it retained its Venetian-Byzantine style until it was rebuilt in 1503. The church now displays a Renaissance style.