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Santa Maria dell'Orazione e Morte was built in the 1730's. The Confraternità dell'Orazione e Morte (Confraternity of Prayer and Death) aims to bury anonymous corpses and pray for their salvation. In 1572 the Brotherhood acquired an area between Palazzo Farnese and the banks of the Tiber and built a small church with burial rights between 1575 and 1576. In 1732, the architect Ferdinando Fuga began to build the church that exists today, an oratory and a large cemetery, partly underground and partly on the river bank.

The church of Santa Maria dell'Orto was built in the 16th century following a miracle in 1488 when a sick peasant recovered after praying before an image of Mary at the entrance to a garden. As a result of this miracle, a small votive chapel was built, and later the present church. The construction of the church was completed in 1567 with the façade by the architect Vignole and the interior restructuring by Guidetto Guidetti.

The church of Santa Maria dell'Umiltà was built in the first half of the 17th century and was commissioned by the daughter of Catherine de Medici, Francesca Baglioni, widow of Francesco Orsini. In 1703 the façade was rebuilt by Carlo Fontana. It was then rebuilt in 1859 by Andrea Busiri Vici, the main architect of the Vatican. After the unification of Italy, the church and convent were entrusted to the Congregation Propaganda Fide, which transformed the convent into a boarding school for theology students from North America. Today it is still the seat of the Pontifical North American College.

Santa Maria della Consolazione was built between 1585 and 1600 by Martino Longhi the Elder in the Baroque style. It is the church of the Roman Capuchin monastery. The church is known for its frescoes and other works of art.

Santa Maria della Luce is said to have been founded by St Bonosa in the 4th century. The church was rebuilt in the 12th century, as was the bell tower, which is still preserved. Until 1595, when it became a parish, it was under the jurisdiction of the nearby basilica of San Crisogono. In 1728, a bull of Pope Benedict XIII installed the Friars Minor of the Order of St. Francis of Paola in the church. The current name of the church is due to a series of miracles that occurred in 1730, linked to an image painted on the outside wall of a nearby house, which was seen to shine with its own light. The image was then transferred to the church, which took its present name.

The church of Santa Maria della Neve was first mentioned in the 12th century. In 1607, the building was given to the University of Rigattieri, which rebuilt it at its own expense, in the Baroque style. After the French Revolution, the church was entrusted to the Confraternity of Santa Maria della Neve and its name was changed to its current name.

The church of Santa Maria della Neve was built in the second half of the 15th century. In 1588, at the request of St. Charles Borromeo, the Augustinian friars took over the church and built a convent next door. The façade of the church is very simple, decorated with polychrome rhombuses. The sober portal, made of red sandstone, is decorated on the pillars with candelabras and has the image of two saints' heads on the architrave - as well as the monogram of the Bernardins.

The church of Santa Maria della Pace, built between 1565 and 1623, is a late Gothic church restored in Baroque style. It is part of the same complex with the convent of the Order of the Capuchin Friars, the Capuchin cemetery and the catacombs. The latter has become a tourist attraction, it contains no less than 8000 bodies and 1252 mummies that were placed there from the 16th to the 19th century.

The church of Santa Maria della Pace ai Parioli is the main church of Opus Dei, where the remains of its founder are kept. The church was built between 1954 and 1959 to a design by the young architect Jesús Álvarez Gazapo. The church consists of a single nave with the raised area of the presbytery where the high altar is located, in which the remains of Josemaría Escrivá (1902-1975) are kept.

The church of Santa Maria della Pace was consecrated in 1482 by Pope Sixtus IV on the site of an earlier chapel. In 1656-1667, Pope Alexander VII had the building restored by Pietro da Cortona, who added the famous baroque façade that juts out between the concave wings: this façade, which was intended to simulate a theatre stage, has two orders and is preceded by a semicircular pronaos supported by twin Tuscan columns.