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The church of Santa Maria Addolorata was built between 1998 and 2001 to a design by the architect Tommaso Sbardella and was consecrated on 17 March 2001 by Cardinal Camillo Ruini. The building has a composite structure, made of tuff blocks that match the travertine, with a wooden and copper roof; the façade is preceded by a flight of steps that leads to the three entrance portals, above which is a cross.

The church of Santa Maria ai Monti was built by the architect Giacomo della Porta at the request of Gregory XIII in 1580 to celebrate the discovery of a 15th-century miraculous image of the Madonna with St. Lawrence and St. Stephen, found in the ruins of a nearby convent of Poor Clares. This image, which is still on the high altar, has been carried in procession every year since the end of April when it was found in 1579. The façade of the church was restored in 1991-1992.

The church of Santa Maria Alemanna, founded in 1195, is a fine example of Gothic art in the Mediterranean region. Around 1485, the church was abandoned by the Teutonic Knights and passed into the care of the Arciconfraternita dei Rossi, which ran the adjacent hospital. In 1571, after the battle of Lepanto, a remarkable person found refuge here, the Spanish writer Miguel de Cervantes.

The church of Santa Maria Antiqua, built in the 5th century, is the oldest Christian building in the Forum. The interior of the church is decorated with ancient Byzantine frescoes, dating from the time of Popes Martin I (649-655), John VII (705-707) and Zechariah (741-752). It contains the oldest representation in Rome of Santa Maria Regina, the Virgin Mary as Queen, dating from the second century.

The church of Santa Maria Assunta has been a presbytery since the 12th century and its parish registers date back to 1568. The church houses works of particular value, such as an ancient marble tabernacle from the 14th century, the inlaid marble high altar from 1772, the wooden statue of Our Lady of the Rosary from the Abbey of Connio or, more recently (1915), the statue of St. Catherine of Alexandria, a work by Antonio Canepa (1850-1931).

The church of Santa Maria Assunta was first mentioned in 1410 and in the second half of the 18th century, it was decided to build a new parish church in the centre of the village to replace the old one. The project for the new church, drawn up by Antonio Marchetti, was submitted on 16 September 1769, while the foundation stone was laid on 29 September 1769. The church was completed in 1798 and consecrated on 24 September 1881. The building was renovated between 1981 and 1983.

The 16th-century church of Santa Maria degli Angeli alle Croci is one of the most remarkable Baroque churches in Naples. It was built in 1581 with the adjoining Franciscan convent. After a reform of the order, the convent was transformed into a college and the complex was rebuilt in 1638 by Cosimo Fanzago, who also redecorated the interior. Since 1815, the former convent has housed the Faculty of Veterinary Medicine of the University of Naples.

The church of Santa Maria degli Angeli was built in the 17th century by St Lawrence of Brindisi (1559-1619) on land he owned and was intended for the Poor Clares of Brindisi. The work, financed in large part by Maximilian I, Elector of Bavaria, began in 1609 and included the construction of a church and a monastery. In operation since 1619, the monastery was demolished at the beginning of the 20th century.

The church of Santa Maria degli Angeli was built in the second half of the 17th century. The church was entrusted in 1662 to the confraternity of the same name. The simple façade, finished with a low gable, has two gabled entrance portals. In the centre is a large maiolica panel depicting the Madonna of the Angels with the lighthouse of the island of Sant'Andrea and the rocks of Campo and Piccioni in the background.

The church of Santa Maria degli Angeli is attached to a convent of the Passionist Fathers. The construction of the present complex took place in the last years of the 16th century. The church was completed in 1601, as evidenced by the date engraved on the architrave of the entrance portal of the church itself. Further work was carried out in 1840-42 to enlarge parts of the convent, with the construction of a new wing to make the structure suitable for the Passionist Fathers and the building of the bell tower. In 1854, a choir was built over the arches of the portico, thus modifying the original façade of the church. Adaptations were also made to the interior of the church, the chapels and the floor.