Explore Religious Heritage Across Europe

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This church, which imitates the architectural style of the 15th century, actually dates from the 19th century, since it was built on the initiative of Jacques Picquenard, the mayor of the town. It was consecrated by the Bishop of Meaux in 1885.

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With its statue of the Virgin which stands at 42 m and its bell tower which culminates at 67 m, the Church of Saint-Blaise already draws the gaze from the crossing of the Allier. It is embedded in Old Vichy built on the rock of CÈlestins. This art deco gem incorporates the ´old church´, dedicated from the very beginning to Notre-Dame.

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The Church of Saint Catherine is a Byzantine church from the late 13th century. The building was originally intended to be a church for the Christós Pantodýnamos Monastery. Under Bayezid II (1481 - 1512), it was transformed into a mosque. A restoration took place from 1947 to 1951. Since 1988, it has been listed as a UNESCO World Heritage Site among "Paleochristian and Byzantine buildings of Thessaloniki".

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The church of Agios Charalambos was built in the 17th century in the complex of the Koroni Castle. The church was transformed into a mosque during Ottoman rule. In 1829 it was converted back into a church.

The Church of Saint Christopher of Nogueira is included in the set of buildings classified as late Romanesque, although the traces reused in the current structure, such as the frieze on the north side, near the bell tower, indicate a transition between the 12th and the 13th centuries. Its deployment, halfway up the hillside, respects the canonical orientation, thus extending longitudinally on two planes: the nave, larger, with the façade facing west, and the chancel, smaller, with the chevet facing east. The main and side portals are especially noteworthy. The former falls within the thickness of the wall, with no columns, but whose archivolts are adorned by the pearls motif. The south side portal draws our attention to the originality of its décor: two clenched fists placed on the lines of ashlars hold a key and the ceiling heights feature symbolic or decorative motifs, such as a lizard. The inside is distinctly Baroque, highlighting the sectioned ceiling with polychrome wood with 71 hagiographic panels [the life of the saints]. It features five altarpieces [altars] (the mor [main], two lateral and two co-lateral) that are included in the various types of Baroque, from the "National" to the "Johannine style".