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In Fresnes, in the department of Côte-d'Or, the Church of Saint-Pierre-et-Saint-Paul was originally founded in the 12th century, although it has been modified over the centuries. The nave and the Romanesque entrance, whose tympanum is decorated with a Celtic cross, are both original. The building has been classified as a Historical Monument since 2015 and has some elements of classified furniture, such as a painting of Christ and the Twelve Apostles.

Aywaille had a priory, founded by the monks of Cluny who arrived here in 1088. Jesuits also occupied the place. All these buildings were secularised and sold in 1785. A part of the ancient church served as a base for the construction of the present church, built in local stone. This new church was inaugurated in 1960.

Right in the centre of Blagnac, on the small square planted with trees is the Saint-Pierre church. It is a monument of the XIVth century. This remarkable red brick construction is one of the symbols of this town. It should be noted that the church Saint-Pierre underwent during the centuries many outrages which were more or less erased by restorations.

St. Peter's Church was built in the 14th and 15th centuries on the north wall of the old passage channel, on the site of the former Gallo-Roman port. Reshaped in the 19th century, it has kept the original flamboyant gothic portal, the south door and the choir. The church of Saint Pierre benefits from a prime location, since it is situated in the heart of the eponymous district, in Old Bordeaux, a district rich in history. Its interior is more spectacular than its massive exterior.

A globally heterogeneous building, and this is what makes its charm specific to Breton religious buildings. In Finistère, the architects Jules Boyer and Armand Gassis, architect or contractor, are known for their neo-gothic or neo-classical inspired creations which they apply to religious buildings.

The oldest part of the church dates from the 11th century. Two Romanesque windows seem to remain today. The building was rebuilt in the 17th and 18th centuries. To the north two buttresses delimit the western and eastern parts, whereas they are only present on the eastern part to the south. The walls are pierced with rectangular bays, four in the south and at least two in the north. A door provides access to the outside in the eastern southern part. The annex is opened by two rectangular bays. The entire nave is covered by a double-paned roof. A gable roof covers the annex. A bell tower with a square base is stooped on the ridge near the facade. Its spire is hexagonal.

Originally a simple church in a country village, it shows both the quality of its sober construction and the quality of its design as a modern religious edifice of the late 19th century in keeping with a tradition dating back to the Middle Ages. It is not just a simple reminder of neo-gothic medieval forms that is brought into play, but also a whole medieval symbolism in which the large coloured glass windows play their part. They are all the more remarkable as it is the only coloured decoration associated with architecture.

The Church of Saint Pierre de Heugueville sur Sienne was given to the Abbey Lessay around 1080. Following the Hundred Years War, this Norman church, located at the estuary of Siena, suffered damage that required repairing the tower and porch. The church is composed of a nave of five bays, a false transept surmounted by a saddle bell tower and a choir with flat bedside of 3 bays.

Destroyed during the Hundred Years War, the Church of Saint Peter, which dominates the cemetery of Irai along the Avre, seems to have been rebuilt in the sixteenth century. It has a main nave and a side aisle, meeting under a flat tiled roof. The two naves have visible frames, and are joined by a row of arcades. There are three altarpieces and eight statues classified as historical monuments.

Fully listed since 2002 in the supplementary inventory of Historic Monuments, the church of Saint-Pierre and Saint-Paul is one of the best preserved Romanesque churches in Brittany. Partially renovated, the interior contains a very rare fresco of the Eternal Father as well as two paintings from the 17th century and above all thirteen bell towers, twelve of which have no bells, like the number of inhabitants of Langon.