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The Saint-Rémy church, located in Pizieux, Pays de la Loire region was built in the twelfth century. The church is composed of a single nave extended by a narrower choir, with a flat chevet. The southern chapel was probably added at the end of the Middle Ages. Inside, there is historical decoration, including an 18th century altarpiece.

The Church of Saint-Roch, in the historicist style, dates to 1862. The baroque furnishings produced in 1729 by the sculptor Jean-Georges Scholtus were removed in the 1970s in conjunction with the Liturgical Reform. From 2001 on, the artist Uli Lindow from Husum (Germany) strove with success to give the space a more welcoming aspect with the creation of new stained-glass windows, contemporary liturgical furniture in oak and a striking set of Stations of the Cross.

Initially placed under the patronage of Mary Magdalene and then of Our Lady, the church passed under that of Saint Roch, a miracle worker invoked against the plague in the 14th century. In 1683, the parish register indicates an "altar of S. Roch against the wall of the midy", where it still stands. Montreuil-en-Auge became a place of pilgrimage to obtain the preservation or cure of contagious diseases. In 1776 the bell tower had to be repaired; municipal deliberations mention other works in 1877, 1894 and 1921. A restoration campaign was carried out in 1950-1951. The creation of the stained glass windows in 1909, carried out by the Mazuet de Bayeux workshop, was financed by parishioners: they represent, among others, Saint Roch.

The Church of Saint-Romain is located in Sépeaux (Saint-Romain-le-Preux), in the Burgundy-Franche-Comté region. The building was originally a chapel connected to the monastery of Preux. The unique portal, dating from the twelfth century, is framed by two small columns and preceded by a caquetoire. Inside, among other interesting objects, is an 18th century painting and a wooden statue of Saint Eloi.

Gothic Revival style building, the result of a relatively recent reconstruction based on the plans of the architect Ernest Le Guerrannic between 1878 and 1881. If the 19th century Saint Ronan church is rather humble at first sight, it houses some beautiful things and is worth a visit. Moreover, on one of its forecourt, a magnificent polychrome monument celebrates the memory of the Molenais, victims of the wars. On the side of the church, the English cemetery is remarkable for its touching silver crosses. Indeed, there lie the 29 English people who were rescued after the sinking of the British liner on the island's reefs in June 1896. In front of the church, a 250 m3 cistern attracts attention: a gift from Queen Victoria for the devotion of the islanders during the tragic fate of this ship, the "Drummond-Castel". This cistern was intended to meet the drinking water needs of the inhabitants.

A parish belonging to the bishopric of Quimper and to the country of Cornwall, Locronan is very ancient linked to the history of the duchy of Brittany. This important centre of pilgrimage known for its Troménie (or procession), will benefit from the donations of the Dukes of Brittany, in particular for the construction of the church erected in the form of a cathedral by the will of Anne of Brittany from 1424 to 1480. The Penitentiary Chapel adjoining the listed church in 1845 houses the bed of St Ronan. In addition to the magnificent 15th-century glass masterpiece and the pulpit for preaching, the church contains a beautiful piece that needs to be restored to ward off the ravages of time: the Altarpiece of the Rosary.

The small parish church of Saint-Samson Plumetot in Normandy was built between the twelfth and eighteenth century. In 1944 it suffered damage from the war. It has an enlarged nave on the aisle to the north, extended by a choir with a flat chevet. To the west, a square bell tower, leans against the church. The church has a beautiful stone altarpiece from the end of the reign of Louis XIV.

The church of Saint-Saturnin de Séchaud was built in the 11th or 12th century, but only the apse, the side walls of the nave and the base and first floor of the bell tower remain from that period. The second floor of the nave was built in the 15th century. In the 16th century, the walls were raised and the church became a fortified place. During the 19th century, and more precisely in 1896, the construction of the flamboyant style façade was completed, which forms a porch on the west side and hides an older façade enlarged in the 15th century.

The parish church of Saint-Saturnin was built in Romanesque style in the twelfth century, on the outskirts of Montesquieu-des-Albères, in Occitania. This building is a typical example of the Romanesque architecture of Roussillon at the beginning of the 12th century: the balance of low volume and the sobriety of the architecture is enhanced by some ornamental details such as the Lombard decoration of the chevet or the portal, added later. The bell tower is massive, yet its openings give the building a spacious feeling.

The Merovingian chapel built by Dagobert on the site of the present church was destroyed in 861. The church of Saint Saturnin was built and enlarged from the 11th to the 20th century. Classified as a historical monument in 1909, the 11th and 12th century bell tower has been restored several times. In 1794, in order to erase any vestige of religion, the horizontal arms of the cross which surmounted the bell-tower were sawn off: it is this strange metallic decoration that can be seen on the lawn in front of the church. With its 32.50m height, the bell tower would pass entirely under the nave of Notre-Dame de Paris! Beheaded by lightning in August 1942, its spire was only rebuilt identically after the war. The present porch was bought by Mrs Smith-Champion from the city of Paris and offered in 1914 after the church was enlarged. It probably comes from a Parisian convent. Flamboyant Gothic (late 14th century), it is decorated with a mosaic and surmounted by a Virgin and Child dating from 1914.