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Romanesque from the 12th century, the church has a basilica plan with three naves: the central one, six meters wide, and the lateral ones, three. Three columns separate the naves on each side. It has a semicircular apse, divided on the outside into three openings by two attached semi-columns with openings of semicircular arches on knurled columns. The apse is covered with a semicircular barrel vault.

The Church of Santa Maria del Casale is a Romanesque-Gothic church erected at the end of the 13th century on the site of a chapel that contained a venerated Marian icon. In 1811 the church was removed under Murat and was used as barracks. The Franciscans returned there in 1824 and tried to repair the very serious damage. The building was recently restored by the missionaries of the Consolata of Turin, who settled in the nearby 16th century convent.

The Church of Santa Maria del Rosario in Prati was built at the beginning of the 20th century and completed between 1912 and 1916 in neo-gothic style by the architect Giuseppe Ribaldi. The interior has three naves divided by pillars and five arches. The interior paintings are by Giovan Battista Conti.

The Church of Santa Maria della Concezione dei Cappuccini, built between 1626 and 1631 by order of Pope Urban VIII (1623-1644) to house the tomb of his brother Antonio Barberini. The building houses a popular crypt-shrine decorated with the bones of about 4000 Capuchin friars, collected between 1528 and 1870 in the former cemetery of the Capuchin order, which was located in the church of Santa Croce e Bonaventura dei Lucchesi, near the Quirinale.

The church of Santa Maria della Pietà was founded in 1596 on a pre-existing Renaissance building. It has an octagonal exterior structure. The main portal, closed by a wooden door, is in Baroque style and faces south, surmounted by an arched tympanum interrupted by a small aedicula; to the right and left are two other small aedicula, also empty.

The church of Santa Maria della Pieve is first mentioned in 1008, but the present church was not begun until the 12th century. The high bell tower was finished in 1330, and during the 16th, 17th and 18th centuries the church was modified inside with stuccoes and decorations in Baroque style. In the 19th century, restoration work eliminated all Baroque additions in order to restore the church to its original Romanesque appearance.

Santa Maria della Vittoria is a baroque church built between 1608 and 1620, according to the plans of the architect Carlo Maderno (1556-1629). The building was entrusted to the Discalced Carmelites. The church, originally dedicated to St. Paul, was renamed Our Lady Queen of Victory after the victory of Catholic troops over Protestant bohemians at the Battle of the White Mountain (1620).

The church of Santa Maria delle Grazie al Trionfale was built in 1940-41 according to the plans of the architect Tullio Rossi and the engineer Franco Formari. The neo-Renaissance style façade of the church has a central door surmounted by the coat of arms of Pius XII, and two side doors. Much of the interior furnishings come from the old church of the same name, which was demolished to make way for the Via di Porta Angelica.

The church of Santa Maria delle Grazie alle Fornaci dates back to the XV century, but it was rebuilt at the end of the XVII century with drawings by Francesco Multò. In 1720 Filippo Raguzzini added the façade and it was not until 1950 that the bell tower was inserted.

The church of Santa Maria delle Grazie was built between 1538 and 1540 and its foundation is linked to the discovery of a fresco, on a rocky wall, representing the Virgin suckling her Son. Following this event, the primitive church was built incorporating the fresco. The construction was carried out by the main families of the village (De Cesare, Consiglio, Liguori, Giordano, Giiuliano), responsible for the administration of the village. The facade is in an eclectic style, in which, however, a classical style emerges, evident in the aedicula on the second floor and in the crowned pediment.