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Single-nave church with neoclassical, stately façade, turret and bollards, early 19th century. Neo-Romanesque transept and choir from 1894. In the choir of the church a bell by Melchior de Haze, 1686, diam. 39.2 cm. This church is listed as a National Monument of the Netherlands.

St. Nicolaas, 1885-1887, JD van de Weide. Neo-Gothic cruciform basilica with a two-storey tower with balustrade, spire and pinnacles, supported by perpendicular and diagonal buttresses. Brick-built cluster pillars on hardstone bases, cross-ribbed vaults. A star vault over the crossing. Rose windows in the west facade of the tower and in the end gables of the transept. Plastered wall surfaces, structural parts treated as fair work. Neo-Baroque communion bench, now converted into an altar; neo-Gothic interior with the exception of the pulpit still present. A bronze baptismal font by the Brom brothers from 1933, carried by four prophets. Tub and lid with twelve biblical scenes and crowned with the scene of the baptism of Christ. Mechanical tower clock B. Eijsbouts, Asten, 1925, no. 871, later fitted with electric winding.

Traditionally, the parish of Odijk belonged to the archdeaconry of Oudmunster. In Odijk there were grounds, 'a court' which were successively in the hands of the German emperors (end of the 10th century), the archbishop of Cologne (until 1019), the Benedictine abbey of Deutz (until 1256) and finally of the count of Gelre. The oldest church building of Odijk, a chapel, probably stood within this court. This was probably a 'daughter' of the church of Werkhoven. In the 12th century, a Romanesque cruciform church with tower was built in Odijk. This church was probably dedicated to St. Heribert. In the sixteenth century, around 1547, the choir of this church was replaced by a late Gothic choir. In the 19th century, the tower, the transept and the nave were demolished. What remained, the choir, is the current Dutch Reformed Church (the 'white church'). During the Reformation, Odijk initially remained Roman Catholic. From 1564, Evert Aelbertsz. was pastor in Odijk and around 1593 he baptized Protestants and Catholics, depending on the denomination of the parents. After the death of this last Catholic pastor, the people of Odijk went to church in Bunnik (Rhinauwen castle), Blikkenburg castle south of Zeist and also to Rijsenburg castle. In 1718, a new church was built in the hamlet of Schoudermantel near Bunnik. This church became the heart of the Bunnik station, which also included Odijk.

Important neoclassical church with a small tower.

Three-aisled neo-Gothic pseudo-basilica with front tower, designed by G. te Riele. Stylistically influenced by the late Lower Rhine Gothic and by the work of A. Tepe. In 1933 drastically changed and expanded with a new transept and choir by J. Haket. On the choir tribune provided with letter panels a single-manual organ from 1900, made by Ludwig Schwarze (1858-1925) from Anholt. In the period January to June 2005 the church (1895, G. te Riele) was restored. The chancel in particular has been changed and is now much more functionally furnished. This means that the church can be given a multifunctional purpose, such as a concert hall. (54-05)

Built as a Roman Catholic church for the village of Jutphaas. From the outside rather sober, from the inside beautiful, extremely richly decorated neo-Gothic church, with tower. This church is listed as a National Monument of the Netherlands.

Tower 1866. Church replaced old barn church from 1776. Characteristic small neo-Gothic church, prominently situated in the landscape.

New Roman Catholic parish church for Haren, consecrated in 1959. Hall church on an asymmetrical floor plan, with a roof that slopes gently towards the apse, symbolically creating the shape of a ship. On the north side there is a side aisle closed off by a stained glass wall with main portal, baptismal chapel and a small bell tower. An important work in the oeuvre of JAA Dresmé, also a remarkable and important example of (liturgical) innovation in Roman Catholic church building around 1960, stylistically slightly influenced by the work of Le Corbusier. As an example of post-war Roman Catholic church building in the province of Groningen, the church has a rarity value.

Three-aisled neo-Gothic pseudo-basilica with west tower, influenced by the late Lower Rhine Gothic, characteristic of the oeuvre of G. te Riele Wzn. The church from 1894 shows great similarities with that of nearby Schalkhaar (Deventer), also by G. te Riele, from the same period. The church has not changed in its main features since it was built.

St. Nicholas, 1876-1877, Pierre Cuypers (1827 - 1921). Three-aisled neo-Gothic pseudo-basilica with octagonal crossing, covered by a star vault. Round pillars with moulded capitals. According to the first design, the church had almost the layout of a central building; during the execution, the nave and transept were extended and later Cuypers added two rectangular, diagonal chapels in each of the corners of the crossing. Next to the nave a sober tower, decorated with pointed arch niches and crowned by a high spire. Extension 1924-1925 with, among other things, widening of the side aisles and porch, to a design by Joseph Cuypers (1861 - 1949) and Pierre Cuypers Jr (1891 - 1982). During a modernisation of the interior in 1966-1967, much of the neo-Gothic inventory was removed, including three altars; the five stained glass windows in the apse windows have been preserved. Mechanical tower clock by Eijsbouts, 1917, equipped with electric drive. Restorations in 1982 and 2010.