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Large church with tower in neo-Romanesque forms. Built as a Reformed Church, in use 1878, architect A. Jurling. This church was assigned to the Reformed Church (Liberated) in 1945. Early 2007 this church was restored and the interior was given a more modern and light appearance. On the liturgical center there is a new pulpit, a new baptismal font and a table with communion set. The pews have been renewed and now stand on a natural stone floor. (58-07)

Built as the Reformed Northern Church. In 1966 the name was changed to the Good Shepherd Church. Important work in the oeuvre of Egbert Reitsma (1892-1976) in a transition from an expressionist style related to the Amsterdam School to a more traditionalist style (Delft School).

Built as a Reformed Church with the name Rehoboth. Interesting church building with a defining tower. After 1945 Reformed Church Liberated. Business-expressionist cruciform church with a tower to the side. Considerably damaged in the fireworks disaster of 2000. Restored in 2001. In February 2002, two stained glass windows were unveiled as a reminder of the fireworks explosion of 13 May 2000. These windows were made by the glass artists Ballast and Bonekamp. (47-02)

Sober reconstruction church with roof turret, built as Dutch Reformed Church. Later, in 1974, Samen op Weg church. Decommissioned as Reformed Church in 2002. Since 2004 in use as Pentecostal Church Het Keerpunt.

Neo-Romanesque church with unequal double tower front, built in 1906 to a design by JC Wentinck. As an example of Protestant church architecture in Neo-Romanesque style, with stylistic references to late Romanesque architecture in the Rhineland (superstructure tower), the church is remarkable and quite rare. The church hall, in the shape of a Greek cross, covered by wooden barrel vaults, stands perpendicular to the street; the front facade from the street is the side facade of the church hall. In this facade, above the main entrance, a large rose window. Above the entrance portal a wimberg (ornamental facade), flanked by natural stone pilasters with cube capitals. The two towers, a low one crowned with a tent roof and on the right a high, heavy bell tower, crowned by a spire with four diamond shields. The sound holes are divided by squat columns. Bells have never been installed. At house number 9 is the 'service entrance' to the annex rooms with the sexton's house above it.

This church is listed as a National Monument of the Netherlands.

The Noorderkerk is a 17th-century Protestant church in Amsterdam, The Netherlands. The Noorderkerk is located along Prinsengracht canal, on Noordermarkt square. The church is used for Dutch Reformed Church services and is also used regularly for classical music concerts.

The previous wooden church became too small and was replaced in 1904 by this larger stone church designed by J. Hengeveld. A hall church with a stepped gable, gable turret and neo-renaissance diamond caps. The church served as a Reformed church until 1965 and was then sold and transferred to the Old Reformed Church in Alphen aan den Rijn. The Old Reformed Church had originated as a Free Old Reformed Church and joined the Federation of Old Reformed Churches in the Netherlands in 1946. The church met many times in a 'hall' in the centre of old Alphen. In the 1960s, the church was forced by the government to move due to the construction of a shopping centre. As a result, the former Reformed church was purchased. In the year of purchase, the new Reformed Good Shepherd Church was put into use. The church community needed a larger church building, because membership increased sharply as large new housing estates were built north of the Rhine.

An exceptionally interesting wooden church building, built in 1914 to a design by the Norwegian architects A. Arneberg and M. Poulsen in the style of the Norwegian Nationalist Romantic movement. Moved in 1937, damaged in 1941 and restored in 1948. On the wooden walls and ceiling in the interior of the church are murals in warm earthy tones (red-brown, blue, brown and green in black outlines) by the Norwegian painter-restorer Domenico Erdman (1879-1940). The background of the murals is formed by stylized acanthus scrolls. In between are Christian motifs such as peacocks, bunches of grapes and the vine tree. The decorations are applied to the wall in framed areas, partly symmetrical. A frieze with eleven apostles runs along the sloping part of the roof (Judas is missing), while Christ is depicted centrally above the choir arch. Stained glass windows from 1951 made by Max Weiss. Organ (National Monument) with two manuals and free pedal from 1950 by G. van Leeuwen & Zoon (Leiderdorp).

The Park is a well-preserved abbey site. The mix of centuries-old buildings and an authentic landscape make it an oasis of peace on the Leuven outskirts.