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Church in the Neo-Gothic style dating from 1911. The cult of Our Lady of Lourdes is very much present in this church. On the exterior of the esplanade one immediately notices a reproduction of the grotto where the Virgin appeared to Bernadette Soubirou.

Notre Dame is one of the most eminent churches in the world, and the symbol of the city of Paris. It has become the theatre to some of the most notorious novels in literature, celebrated by writers and artists including Victor Hugo. The cathedral was built by the meanderings of the river Seine- in the Île de la Cité- in the early days of the gothic era. Although the monument is a great example of early gothic style, the influence of the Romanesque school is still visible. In 2019, the church was badly damaged by a fire.

The chapel Notre-Dame-du-Haut is a building designed from 1953 to 1955 by the architect Le Corbusier. It is erected on the site of an ancient Roman sanctuary and an old chapel rebuilt between the two wars. In 2011, around the chapel, a convent was built by the architect Renzo Piano. The site is on the UNESCO World Heritage List 2016.

Cradle and mother abbey of the Cistercian Order of monks, the buildings were founded in 1098 by Robert de Molesmes, in what was at the time a "desert", the Abbey of Cîteaux, cradle and head of the Cistercian Order, would become, with Cluny, one of the beacons of Christianity.

Notre-Dame Basilica was built from 1858 to 1860 according to the plans of the architect Gustave Alaux, then enlarged by his son Michel Alaux who extended the original chevet in 1884. This Gothic style building is characterized by the alternation of materials: base made of alios blocks, brick walls and limestone structural elements. The Chapel of the Sailors, built in the 18th century, adjoins the basilica. It has a quality decoration: altarpieces, wrought iron choir fence, ceiling paintings and above all numerous ex-votos of sailors, witnesses of the fervour of the faithful to the Virgin, of whom an alabaster effigy of the 15th century can be seen, a seated Madonna holding the Child Jesus in her right hand. The chapel, damaged by a fire, was remarkably restored in 1987.

A high place of Christian pilgrimage, the sanctuary of Pontmain, in Mayenne, came into being following the apparition of the Virgin Mary to the children of the village on 17 January 1871. The imposing neo-gothic style basilica, built in the 19th century near the site of the apparition, houses in its choir beautiful stained glass windows illustrating the Virgin's apparitions in Pontmain, Lourdes and La Salette, as well as scenes from the life of Christ. The Barbedette barn, from which the children saw the Blessed Virgin in 1871, has been converted into a place of prayer and meditation.

Notre-Dame Cathedral is a church founded in the 17th century by the Jesuits. The church owes its current size and neo-Gothic style to a 20th century expansion. The crypt of the church contains the tombs of the grand-ducal family.

Notre-Dame d'Aiguebelle Abbey is a Cistercian abbey founded in 1137. The abbey reached its peak in the 12th and 13th centuries, then declined with the Hundred Years' War (1337-1453). The abbey was heavily restored during the 19th century but has retained, despite some demolitions, most of the buildings of the medieval convent. The abbey is now known to be the site of production of a brandy, made according to an ancient craft recipe developed by Cistercian monks.

The Notre-Dame de Bon Secours chapel was built in 1688. Its charm resides in the setting where it is located: high up in the Oizy village and surrounded by majestic centuries-old lime trees.

Building built in the 19th century from 1884 to 1904; emblematic building from the religious, architectural and urban planning point of view. This monumental project, whose design and construction took nearly 40 years to complete, inevitably evokes its implicit reference to cathedrals. The choice of the "Gothic" style, introduced in Rennes by Jacques Mellet for the construction of the Missionaries' chapel (destroyed), as early as 1841, is here an eclectic approach, to which Abbot Millon subscribes, in the Semaine Religieuse, and which he qualifies as the "ogival style", considering "that it is preferable to choose with a wise and prudent eclecticism, the beauties of several styles of the same period, rather than slavishly copying a known work.