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The Basilica of Sant'Apollinare was founded by Pope Hadrian I around 780, on the remains of pre-existing Roman buildings. The original building was preceded by a small portico and, inside, it was divided into three naves with an apse. It was then rebuilt in its present form by Ferdinando Fuga on the orders of Pope Benedict XIV between 1742 and 1748: the same pontiff consecrated the new church on 21 April 1748.

The Basilica of Sant'Eufemia was probably founded around 472 by the bishop Saint Senator. The church was then rebuilt in the 15th century and remodelled in the following centuries thanks to the intervention of important patrons. Federigo Borromeo, the nephew of Charles Borromeo and future archbishop of Milan, was baptised here in 1564. In 1870, the architect Enrico Terzaghi created the present high central hall by eliminating three bays. The church was also enlarged by one bay and the façade was rebuilt.

The Basilica of Sant'Eustachio was built in the 8th century, with the first mention of it in 795. The old building was completely rebuilt and enlarged in 1195-1196 under Pope Celestine III, when the Romanesque bell tower was added, which can still be seen today. Between the 17th and 18th centuries, the church was completely rebuilt, demolishing all the medieval structures (except the bell tower), and rebuilding it according to the tastes of the time.

Santa Chiara is a monastic complex of the fourteenth century, the largest in the city of Naples. The "Complesso Monumentale di Santa Chiara" (Santa Chiara Complex) includes the basilica, the majolica cloister and a refectory.

The Basilica Pontificia di Santa Croce was built at the beginning of the 16th century and houses the remains of St. Vincenzo Romano, parish priest of Santa Croce from 1795 to 1831, who gave the present form to the imposing structure rebuilt after the almost total destruction of the city by the eruption of Vesuvius on 15 June 1794. The church was built to replace the ancient mother church of the town, of medieval origin, dedicated to Santa Maria Maggiore and called Santa Maria dell'Ospedale because of a small hospice for the sick and pilgrims located next to the old church.

The Basilica of Santa Maria Assunta di Carignano is a religious building built in the 16th century. Like many Genoese churches, it was first a family chapel (belonging to the Sauli family) before becoming an abbey church and a basilica.

The Basilica of Santa Maria Assunta is a 14th-century basilica and the mother church of Alcamo. The church, opened for worship in 1402, was built in Catalan Gothic style with three naves. It was extended and modified in 1471, 1530-1558 and 1581. The bell tower with mullioned windows (restored in 1942), the Chapel of the Holy Thorn and the baptismal font are still visible from this original construction. The church was rebuilt in 1699 by Giuseppe Diamante and Angelo Italia, while the neoclassical façade dates from 1786 by Emanuele Cardona and was designed by the architect Francesco Alessandro.

The Basilica of Santa Maria dei Servi was built between 1346 and 1383 as a church of the Order of the Servants of Mary, and was probably designed by the Bolognese architect Antonio di Vincenzo. From the date of its completion and over the following centuries, the church was modified and redecorated several times. The bell tower was erected in 1453. In 1797, following the arrival of Napoleon's troops in Bologna, the church and the monastery were used as barracks. In 1802, the church became a parish church and, after the Restoration, the Servants of Mary were able to return in 1815.

The church of Santa Maria del Carmine is a Catholic church built in the thirteenth century. She is famous for the cycle of painting presented in the chapel Brancacci, a fundamental work of Renaissance art, directed by Masaccio and Masolino.

The Basilica of Santa Maria Gloriosa dei Frari, commonly called I Frari, was built throughout the 13th, 14th and 15th centuries by Franciscan fathers. The belfry, the highest in the city after that of San Marco (80 metres), was completed in 1396. The façade was not completed until 1440, but under Napoleon I, monastic life came to an end and the church was entrusted to a diocesan priest. The sanctuary contains many works of art, including works by Titian, and numerous funerary monuments to great Venetian men.