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The Basilica of Santa Maria Immacolata was built between 1856 and 1873 in the neo-renaissance style. The building suffered considerable damage from aerial bombardments during the Second World War, in November 1942 and August 1943. The building's value lies in its façade, which is decorated with precious marble, sculptures and mosaics. The interior is in the form of a Greek cross with three large naves and eight chapels.

The Basilica of Santa Maria di Montesanto is, together with its twin church, Santa Maria dei Miracoli, the base of the so-called "trident", three streets leading from Piazza del Popolo: from the left, Via del Babuino, Via del Corso and Via di Ripetta. The origin of the churches dates back to the 17th century in what was the main entrance to Rome in the Middle Ages and the Renaissance, via Via Flaminia. Pope Alexander VII commissioned the architect Carlo Rainaldi to design the monumental entrance to the Via del Corso. The project included two churches, but the different configurations of the two available locations meant that major changes had to be made to the plans.

The Basilica of Santa Maria in Valvendra was built between 1473 and 1483, on an imposing artificial terrace. Its construction was commissioned by the rich woolen cloth producers of Lovere. The church was carefully restored between 1990 and 2014. The basilica and the adjoining convent, now the Cesare Battisti National Boarding School, were run for centuries by the Franciscan Friars Minor of the Observance.

The Basilica of Santa Maria Novella is a Gothic church and monastery complex built in place of the 10th century devotional halls of the Dominicans of Santa Maria delle Vigne. Construction began in the mid 13th century and lasted until the mid 14th century. It was designed by two Dominican friars, Fra Sisto da Firenze and Fra Ristoro da Campi. Leon Battista Alberti was commissioned by the Rucellai family to design the dark green and white marble façade of the church (1456-1470). Giorgio Vasari (1511-1574) was the architect of the first reconstruction of the church, which removed the original rood screen and gallery. The second reconstruction was planned by Enrico Romoli and carried out between 1858 and 1860. The interior is built as a Latin cross in three naves. In the left nave is the fresco The Holy Trinity by Tommaso Masaccio. This fresco shows perspective at an early stage in the history of painting.

The Basilica Santa Maria Sopra Minerva is a 15th century basilica near the Pantheon. It is a rare example of Gothic architecture in Rome. It is in the contiguous convent of the church that, on June 22, 1633, Galileo Galilei, suspected of heresy, abjured his scientific theses.

The Basilica of Santa Rita da Cascia was built between 1937 and 1947 because the growing number of pilgrims visiting the shrine where the remains of Saint Rita are located made the old church unsuitable for such numbers. The construction costs of the initial project, drawn up by the architect Armando Brasini, were too high. The project had to be modified by the architects Giuseppe Calori and Giuseppe Martinenghi.

Santa Trinita is a parish church and the monastic church of the Vallombrosan monastery of the same name. It was founded in the 11th century and rebuilt in the 14th century in its present Gothic form. The crypt, a remnant of the old church, is purely Romanesque. The façade of Santa Trinita de Buontalenti is a typical work of late Florentine mannerism and dates from the end of the 16th century.

The Basilica di Santa Maria del Santo Spirito was built in the Renaissance style on the ruins of a 13th-century Augustinian convent, destroyed by fire in 1471. Filippo Brunelleschi drew the plans around 1444, two years before his death in 1446. The plans were reworked and the work undertaken by Antonio Manetti, Giovanni da Gaiole and Salvi d'Andrea, the latter also being responsible for the construction of the dome (1479-1482) with Il Cronaca. The bell tower is the work of Baccio d'Agnolo (1503). The current appearance of the façade is due to an 18th-century plastering that covered the paintings on the pilasters and cornices.

The Basilica of Santo Stefano is a complex of seven churches, the oldest, the Church of Saints Vitale and Agricola, being built from the fourth century. Partly destroyed in the 10th century, the complex was repaired by Benedictine monks in the 11th century.

The basilica of Sant'Ambrogio is one of the oldest churches in Milan, being built between 379 and 386. It is traditionally considered the second most important church in the city of Milan.