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Until about 1800, the church bears the name of Saint Aignan which is then replaced by that of Saint Barthélemy. Its particularity is its "caquetoire". It is an external gallery which decorates not only the facade but also a large part of the south side. One can date its construction to the XVIth century, after the emancipation of the inhabitants. At that time, it was used as a shelter for the parish meetings that were held at the exit of the mass.

The foundation of Saint Bartholomew's Church, located in Devillac in the Lot-et-Garonne, dates back to the 12th century. The interior is decorated with paintings and beautiful stained glass windows. Its elegant wall-tower, decorated with a round dormer, dates from the 16th century.

The Saint-Bauld Church is located in Verneuil-sur-Indre, in the Center-Val de Loire region. The building consists of a twelfth century nave covered with a fifteenth century frame. The choir, with flat buttresses, dates from the 12th century. Its upper floor, with the belfry and the spire were rebuilt in the nineteenth century. A porch was built in the eighteenth century on the north side of the nave.

The Church of Saint-Benoît is found in Saint-Benoit-des-Ombres in Normandy. It was built in the 12th century, but today only part of the north wall of the nave and the chevet remain from the Romanesque period. Several changes were made in the sixteenth century. The entrance, which is molded with low arched lintel, is topped with an eighteenth century wooden statue representing Saint-Benoît. Among the furniture, several objects are classified, including a high relief representing the Martyrdom of St. Lawrence (fifteenth century) and the baptismal font (sixteenth century).

In front of his castle of Fontaine, Aleth de Montbard, had a chapel built in 1102; dedicated to St. Ambrosinian. She was the mother of Bernard de Fontaine, the future St Bernard, born at the Château de Fontaine (near Dijon). The present church under the name of St Bernard is built on its site, and the present building has a construction dating back to the 14th and 16th centuries.

Located in Dimancheville in the Loiret, the Saint Blaise church dates from the 12th century; traces of this distant past are still observable today. The building consists of two contrasting section: the choir, from the beginning of the 13th century, is preceded by a nave that was rebuilt at the end of the 15th century. Since 2005, the church has been classified as a Historic Monument. It also has unique decor and furniture, such as a polychrome wooden altarpiece and murals.

The Church of Saint-Blaise is located in Montaigu, in Burgundy-Franche-Comté. Originally a single spanned church in the thirteenth century, an additional 4 spans were added in the 17th century, and with side chapels and vaulted arcades. Outside, the bell tower was built in 1685, replacing a very modest older tower, which was originally erected upon the choir. Note that the composer of the Marseillaise, Rouget de l'Isle grew up in this village.

Built from 1513 on the plans of Guillaume Pelvoysin, the church was consecrated and definitively completed the same year, in 1539. It is truly an attractive building due to its unusual exterior: the continuous roof covering its side chapels is not commonplace. If you are arriving from the station, take a few moments to enter the building. You will admire its rather simple Gothic architecture and its Renaissance canopies, some of which are attributed to Jean Lécuyer.

The church of St Brice de Courcival was built in the eleventh century. The only remains of the original building are the north wall of the nave and two Romanesque bays. The church was enlarged in the fifteenth and sixteenth centuries by the addition of chapels and a bell tower. It was restored in the nineteenth century, and now the church has a single nave with a chancel and two chapels, forming the transept. Inside the building, you can admire a seventeenth century terracotta statue of the Madonna and Child.

Numerous archaeological excavations were carried out around the church, bringing to light Merovingian sarcophagi and burials possibly dating back to the 15th century. The neo-Gothic stained glass windows of the chevet date from 1854: the three canopies depict the life of Christ. The stained glass of the northern chapel is dedicated to the Virgin and that of the southern chapel to Saint Genevieve.