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The Church of Saint Vincent of Sousa displays two inscriptions on its façade. The first dating from 1162 and marking the construction of an arcosolium [embedded tomb]; the other, engraved in 1214, celebrates the Dedication of the Church [beginning of the cult]. The Church is composed of a single nave and a rectangular chancel, enlarged in the Modern Age (17th-18th centuries). The main façade features a Romanesque portal which opens out as a pentagonal structure stemming from the façade. This means the portal may be larger and more impressive symbolically. The lateral façades end in small arches on plain modillions as in other Romanesque churches in the area of Tâmega and Sousa. A drip-course runs over corbels on half of the wall of the south façade, suggesting that a roofed porch or a cloister [inner patio of a monastery] used to exist here. The carvings and paintings of themes alluding to the lives of Saint Vincent, Saint Joseph and the Mysteries of the Rosary date from the Modern Age. The paintings on the ceiling of the chancel were completed in 1693 by Manuel Freitas Padrão, one of the founders of the Brotherhood of Saint Luke of Guimarães.

A first church was erected at Ax-les-Thermes prior to the current building, dating from the 12th century. In 1240, the church was left intact by the fire, which had ravaged the rest of the city. It underwent many phases of restorations and alterations, notably in the 15th century, then in the 16th

This church is a fine example of the Languedoc Gothic style with a wide nave (20.25 m) and an imposing vault (23.5 m). The church has a bell tower accessible to the public by a staircase of 232 steps which offers a breathtaking view of the whole city of Carcassonne.

This building's construction began in the 12th century, in 1125, after the canons took possession of an abbey housing the relics of Saint Volusien. The Wars of Religion inflicted damage on the building, notablu with burnt relics. A second phase of construction therefore took place between 1609 and 1670.

The current building is dated 1901, and construction was completed in 1904, in a neo-Romanesque style.

The current Neo-Romanesque construction dates from the second half of the 19th century and replaces an old chapel. It is characterised by a play of volumes inherent in the Mosan architecture of the 11th and 12th centuries.

The church of Saint-Wulmer was built in the 15th century by the monks of the abbey of Samer, founded in the 7th century by Saint Wulmer, one of the sons of the Count of Boulogne.

Building of modest dimensions, with a simple plan consisting of a rectangular nave followed by a choir of the same plan and preceded by a canopy or caquetry. What makes this church particularly interesting are its Romanesque mural paintings discovered in the choir in 1911-1912. Through a thorough study of the style of the movements, clothing and hairstyle of the peasants, the date of the paintings could be fixed around the middle of the 12th century.

The St Aignan church was located inside the walls of the medieval village of Ivoy-Le-Pré in the 13th century, which was ruined and pillaged by the Huguenots. In the 16th century the single nave church was extended by a five section chevet, and then enlarged by the addition of side chapels with beautifully ribbed vaults, forming a transept. Today, the bays of the church are adorned with stained glass windows (Lorain studio) and one can admire many classified objects.

The Saint Aignan-Sainte Clothilde church in La Haye-de-Calleville, France, Normandy was founded in the 11th century by the lords of Harcourt. Built of flint with stone buttresses, it was originally dedicated to Saint Aignan. In the 17th century, the church underwent a transformation and was placed under the patronage of Saint Clotilde.