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The foundation stone for the current St. Victor Church in Obdam was laid on 21 April 1891 by construction pastor Fit. Fifteen months later – on 25 July 1892 – the church was consecrated by the then bishop of Haarlem Mgr.CJM Bottemanne. The church is a cruciform basilica in neo-Gothic style. The architect of the St. Victor Church was Adrianus Cyrianus Bleys, who came from Hoorn. He designed and built many churches and buildings in North Holland, including the old Dionysius Church in Heerhugowaard, the Cunera Church in Nibbixwoud, the Koepel Church in Hoorn and the St. Nicolaas Church in Amsterdam. The Mill Hill building and the town hall of Obdam were also designed by him. The predecessor of the current church, which was also dedicated to St. Victor, stood on the other side of the road, where Victor's Hof is now located. The robust marble baptismal font on the right at the back of the church was moved from the old church, as were the two bells. The bells were stolen during the war. One of the bells was spared. The other was replaced by a new one. The beautiful Stations of the Cross are striking in the church. They are made in 'haute relief' and come from the studio of E. van Ternelmont from Den Bosch. The stations were installed in 1910. The chandeliers above the central aisle are also beautiful. There are seven paintings in the apse of the Priest's Choir. Five of the seven scenes depict events from the Old Testament, which can be considered prefigurations of the Eucharist. Seen from the church, we see from left to right: (1) the sacrifice of Abel; (2) the priest-king Melchisedec offers bread and wine as a meal of thanksgiving; (3) Abraham is about to sacrifice his only son Isaac; (4) the Jewish people gather manna in the desert; (5) the prophet Elijah is strengthened by an angel. At the front of the church we see a statue of our patron saint St. Victor. He was a Roman soldier who refused to participate in a pagan sacrificial ceremony because of his Christian faith. He was then killed by his comrades and thus died a martyr's death. St. Victor is an example to us because of his steadfastness in faith. St. John Nepomuk was also steadfast. His statue is located at the front of the confessional. He is the patron saint of the secret of confession. Devotion to Mary is expressed in two places in the church. At the front of the church we see a reduced copy of the famous icon of Mary of Perpetual Help. The statue of Mary that used to be here has been given a place at the back of the church. In 2006, a new chapel in honour of Mary of Lourdes was built behind the rectory. The reason was the parish pilgrimage to Lourdes the year before.

The church is designed as a single-nave church with a saddle roof. The 14th-century tower has tufa in the lower layers and was raised around 1820. During this raising, the existing sound holes were bricked up and new sound holes were made with round arches. The clock from 1929 was made by the clock manufacturer Eijsbouts from Asten, who also started making clocks after the Second World War. The tower has a tent roof. The church has an organ, made in 1845 by Franciscus Cornelius Smits. In addition, there is a lowered altar from around 1700. The church was designated a national monument in 1965. This church is listed as a National Monument of the Netherlands.

Roman Catholic Church of St. Vincentius, single-nave neo-Gothic church with narrower three-sided closed choir and west tower with four-sided spire. (Church 1874 by C. van Dijk, spire 1919 by F. de Beer). In the church tower two bells, one cast in 1589 and one in 1662 by Henricus Wegewaert in Enkhuizen. Between main and side entrance statue of Mary with inscription "mother". Churchyard with prayer house and plaster, polychrome crucifix. Mortuary under saddle roof. Five priests' graves from 1862, 1901, 1915, 1918. (Deursen), spire 1919.

The church was built on the south bank of the Jacob van Lennepkanaal . It was consecrated on 7 October 1901.The large three-aisled basilica had a high tower to the right of the front facade. This tower had an octagonal superstructure with corner pinnacles and a spire. This 67-metre-high tower in particular (the highest tower in Roman Catholic Amsterdam) was a striking appearance, because the surrounding houses were no higher than four floors.

Roman Catholic Church Parish of St. Vincentius a Paulo in Brunssum.

Replaced a church from 1819. Three-aisled neo-Gothic hall church with a sober square west tower, crowned by a constricted spire. Characteristic early work from the oeuvre of WVA Tepe (1840-1920). The side aisle bays are provided with hipped roofs, which betrays the influence of the late Lower Rhine and Westphalian Gothic. In 1929 the church was extended with a new transept and choir, designed by HCM van Beers.

Important, unique monumental neo-baroque church with dome. Replaced a nearby clandestine church. Restored after a fire in 1958. The interior has its current appearance since then.

Historic village church with tower. Extension with consistory behind the choir during restoration in 1934-1935.

This church in Blauwhuis is the main part of the church complex that was designed in 1867 by architect Pierre Cuypers (1827 - 1921). The church replaced an older building from 1785, which was later put into use as a nursery school. The need for a new church had been present for a number of years due to the strong growth in the number of believers and in 1867 the church board commissioned architect PJH Cuypers, who worked in Amsterdam, to design a new church. Cuypers designed a church building in Rhineland Romano-Gothic style. Architect CH Peters was appointed as supervisor. The construction work was awarded to contractor OH Schuurmans in IJlst. The interior was most likely designed by Cuypers himself. The inventory of the church, including painting and glazing, was made by the Cuypers and Stoltzenberg studio in Roermond; the workshop worker Klumpkens was charged with the execution on site. The stained glass windows were made by the firm Nicolas in Roermond. The bells in the roof turret and in the tower (these were replaced by new ones in 1948) were supplied by AH van Bergen in Heiligerlee; the clockwork by S. Rodenberg in Sneek. The painting work was outsourced to EA de Vries in Blauwhuis at the time. The entire complex was built between 1868 and 1871; the commissioning took place on 15 October 1872. In 1969-70 the church tower was restored; between 1991 and 1993 the exterior of the church was restored and in 1996 a second restoration phase of the interior followed (including the baptismal chapel, portal, stations, St. Vitus painting). Both the exterior and the interior are remarkably complete; With the exception of the organ instrument - which has too little monumental value - the interior design is protected in all its parts.

Neo-Gothic church with cathedral allure, and with a high tower. The Sint-Vitus was consecrated in 1892. This neo-Gothic cruciform basilica was designed by PJH Cuypers. The tower is 98 metres high and is one of the 4 highest church towers in the Netherlands *. The church stands on the site of the former clandestine church from 1786. Important elements in the interior are the wooden vault, the stained glass windows and the colourful brick patterns in the masonry. The Van den Brink organ from 1859 and the painted Stations of the Cross are also valuable.