Explore Religious Heritage Across Europe

The building is housed in a foundation Freonen fan de Boazumertsjerke. The goal of the Foundation Freonen fan de Boazumertsjerke is to contribute to the preservation of the St. Martenstsjerke in the village of Boazum in the best possible condition. If a small church community can no longer afford the costs, outside help is needed.

The polygonal closed choir, decorated with natural stone blocks on the buttresses and with blocks in the window ledges, has been preserved from the late Gothic village church. The choir is covered by a net vault. The nave was renovated in 1858 and renovated again in 1955 in a style adapted to the Gothic choir. The inventory includes: a pulpit, 1662 and six 18th century funeral boards. Churchyard wall. Brick wall around the churchyard, 18th century? Two-manual organ, made in 1859 by CGF Witte. The original front was lost during a shelling of the tower in 1944-1945. In 1954, the firm JC Sanders & Zoon (Utrecht) made a new front with pinewood and hardboard. In 1988, the organ was restored by the firm HB Scheuerman & Zoon (Rotterdam). The original front was reconstructed after the example of the Witte organ from 1860 in the reformed church in Bunschoten. The case remains outside the protection. This church is listed as a National Monument of the Netherlands.

Reformed church. Late Gothic pseudo-basilica, the choirs of which date from the beginning and the nave from the second half of the 15th century. Interior: a grave monument of Floris van Borssele and Oda v. Bautersen, ca. 1425. Grave monument of Cornelis Liens ca. 1640. Pulpit 17th century. Some covered pews, first half 17th century. Law board 1612. Boards with the Twelve Articles and the Lord's Prayer. Organ with main work and secondary work, made in 1882 by P. Flaes.

Reformed church and tower. Two-aisled brick nave, both vaulted; older partly tuff stone tower, crowned by a spire from 1661. The church has a late 17th century pulpit with baptismal fence, nine gentlemen's benches, one of which is for the rector of the Latin school, funeral board for Eyso de Wendt, 1780. Many carved tombstones from the 15th-18th century, including by P. Claesz. Organ with main work, lower positive and short pedal, made in 1841 by W. van Gruisen. Tower restored 1960-'62. Two bells hang in the tower, one by J. Schonenborch, 1526, diam. 143 cm. and one by H. Falck, 1618, diam. 131 cm. Mechanical tower clock, B. Eijsbouts, Asten. Badly damaged and parked out of use.

Reformed Church. Late Gothic church building, tower single-aisled nave with narrow transepts and choir; choir oldest part of the church, 15th century. Tower around 1500, nave 16th century.

The cathedral of Macerata has been known since the 10th century. Before the construction of the present cathedral, there was a small rural church dedicated to San Giuliano, built in 1022. Between the 14th and 15th centuries, a second building was erected next to the church, completed in 1478 with the construction of the bell tower, still visible today, in Flamboyant Gothic style. The two existing buildings were united to form a single neoclassical cathedral in 1771.

The Machzike Hadath (Spitalfields Great) Synagogue in London is an Ashkenazi synagogue built in 1742-43 by architect Thomas Stubbs as the ‘New French Church’. It was rebuilt in 1897 by A.J. Hopkins and in 1957. This brick building in the Georgian style now serves as a mosque.

The Machzikei Hadat Orthodox (Great) Synagogue in Antwerp is an Orthodox synagogue built between 1910 and 1914 by the architect Jules Hofman. This brick building in the National Romantic style still serves as a synagogue.

The Synagogue in Mad was built in 1795 in a baroque style, and the interior is well decorated with Polish-Lithuanian influences. Restoration of the building was completed in 2004 and the building is now used for concerts, conferences, and other events.

The Madlamark church is a 1976 brick church in Stavanger. The Madlamark church has a characteristic altarpiece, "Korsportalen", a work of art in the form of an altarpiece that covers the altar wall. The work was completed in 2003 and is by the artist Ole Lislerud.