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The Church of Saints Pius and Anthony was built between 1851 and 1856 in the neo-classical style. The architect Gaetano Morichini was commissioned to design the parish church. The church was completely restored in 1919. The façade of the church has a projecting plan and is divided into two orders. The lower order is preceded by the Peristasis portico with Tuscan columns supporting the entablature. The upper order is characterised by a semicircular window and crowned by the pediment, in which the coat of arms of Pope Pius IX is inserted.

The Church of the Seven Holy Founders was built between 1946 and 1956 to a design by the architect Alberto Tonelli, and is dedicated to the Seven Holy Founders, Florentine devotees of the 13th century who were at the origin of the Servite order. The church has a dodecagonal plan. On the outside, it has two orders: the lower order covered in white marble, and the upper order in masonry crossed by vertical ribs in reinforced concrete and crowned by a series of windows with polychrome glass.

The Church of the Saviour, founded in the 11th century by the great Count Roger, was rebuilt and extended in 1579. This second church was then incorporated into the present-day Church of the Carmine, built towards the end of the 18th century and opened for worship in 1817. The unfinished facade allows us to see the entire facade, built with small white tuff stones from the original Church of the Saviour, incorporated into the new neoclassical facade, which is built with blocks of local stone. Of the second church, only a dome remains, with precious frescoes, which is not visible from the outside.

The Jesuit College Church is a Baroque church built between 1614 and 1705 by the Messinian Jesuit architect Natale Masuccio. The religious complex also includes, to the left of the church, the building of the former college and, on Via Roma, the former Jesuit convent. The Jesuit college became the Ximenes high school after the unification of Italy, while the convent was the seat of the court until the 1950s. Closed from 1961, when restoration work began, it was reopened in January 2003, but the restoration work was only completed in 2011.

The Church of Christ or Crucifix was built in 1232 by Friar Nicola Paglia of Giovinazzo and was the seat of the Dominicans. It has a façade with alternating white and grey stones, crowned by small stepped arches and a beautiful rose window.

The church of Santa Maria degli Angeli, commonly known as the Church of Christ, dates back to the 14th century. Originally built in Romanesque-Gothic style, the church has undergone several renovations and restorations over the years, the most important of which was in 1760, when it was renovated in neoclassical style.

The church of "Domine quo vadis", or Santa Maria in Palmis, was founded in the 9th century. The present church is a 17th-century reconstruction. The church is currently run by the Congregation of St. Michael the Archangel, whose convent, also dating from the 17th century, is attached to the church. The façade is marked by two lateral pilasters; at the top is a tympanum and the Barberini coat of arms. A reduced tympanum is placed above the entrance door, which in turn is topped by a large window.

The church of Gesù Nuovo or "Trinità Maggiore", built between 1584 and 1725, houses a vertiginous amount of Baroque paintings and sculptures.

The Church of Purgatory in Cerignola was built in 1578 by Jesuit fathers. The church was originally located outside the walls of the old town but was soon integrated into the town, thanks to its position on one of the main urban development routes. The church is part of a much larger complex that includes the Palazzo del Gesù, a college and a refuge for travellers and the poor. Probably in the second half of the 18th century, structural works were carried out on the church to enlarge the building in height and width.

The Church of the Rosary and the adjoining convent of the Dominican Order is a religious complex whose construction began in 1538 on the site of the 15th-century church of San Leonardo. In 1589, the convent was elevated to the status of a priory. The church and the convent underwent important changes in the 18th century, the upper oculus was transformed into a rectangular window with a frame in 1705, and the side windows were made without frames in 1790. Since 1968, the church, elevated to the rank of parish church, has been entrusted to the care of the Capuchin Fathers and has recently returned to the diocese of Messina.