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Putten only got its own parish church (again) in 1939; the first since the Reformation. Previously, the small Roman Catholic population of Putten had to rely on a nearby monastery chapel from 1858.

Three-aisled, neo-Gothic hall church under a saddle roof, with a 5/8 closed choir, three transepts, straight closed side chapels on either side of the choir, and a saddle roof tower next to the front facade. On the slate-covered roof there is a narrow lantern. The cornice is decorated with a pointed arch frieze. In the front facade there is a rose window under which a series of seven pointed arch windows. The entrance portal is provided with brick archivolts and has a double door with heavy decorative fittings. On either side of this there are two pointed arch windows. In the gable top there are five pointed arch niches, partly with windows and a hatch. The saddle roof tower on the left is also provided with pointed arch windows. To the left and right of the front facade there are entrance portals under a lean-to roof. The three transepts are externally marked by gables. The brickwork is decorated with bands and figures of yellow brick, and a pointed arch frieze under the eaves. Three-light pointed arch windows are placed in the gables. The choir has pointed arch windows with brick tracery and a pointed arch frieze under the eaves. On either side of the choir is a service building; on the side of the Stortenbekerstraat, closed off by gables and covered by a saddle roof. A decorative brick border is placed under the eaves. Both service buildings have a staircase tower with a spire. The building on the north side serves as a sacristy. Between this building and the transept is the parish hall, which is closed off at the top by an open balustrade. The interior of the church, inspired by the nave of the Grote of Sint Jacobskerk in The Hague, contains spacious side chapels with transverse wooden barrel vaults that connect to the central nave under a barrel vault in the lengthwise direction of the church. The barrel vaults are decorated with decorative paintings. The church has articulated brick piers, covered with yellow facing bricks alternating with red bands. In the spandrels on either side of the arches are round niches with six-passes. The side chapels on either side of the choir have brick cross-ribbed vaults; the choir has a radiating vault. The profiled brick triumphal arch to the choir rests on two short columns of polished black granite with hardstone leaf capitals. The church has polychrome tiled floors. One-manual organ made by JW Walker for St. Mary's Church Stoke d' Abernon in 1860, purchased in 2003 and installed in St. Martha's Church. The inventory includes a carved limestone pulpit tub; two neo-Gothic statues of the Sacred Heart and Mary, as well as a small communion rail with rich carvings in neo-Baroque style from the first half of the 19th century. The parsonage garden to the south of the church is enclosed by a brick garden wall.

Built to replace the predecessor of this church, which was demolished in 1939. There is a whale on the tower of the church. This whale is a reminder of whaling, which was an important source of income for the village in earlier centuries.

Heilige Martinus is a Neo-Gothic church from 1882. This church is listed as a Municipal Monument of the Netherlands. The organ was built by Adema-Schreurs Orgelbouw in 1958 for the chapel of the Sisters of Bethany in Bloemendaal. In 1982 the organ was moved to the St. Martinus Church in Noorden.

Extremely important, sober neo-Gothic church with an iconic tower, the second in height in Arnhem after the demolition of the "Kleine Eusebius" church with tower in 1990. At 70 m, the tower is slightly lower than that of the demolished small St. Eusebius Church . R.K. St. Martinus parish church from 1874, was the second newly built parish church in Arnhem (since 1853), built just outside the eastern canal.

Roman Catholic Church; late Gothic tower, 16th century; three-aisled nave 14th-17th century choir with extensions 1851. In the tower portal Romanesque lintel with three relief representations in medallions. Two side altars 18th century; In the sacristy a stone altar mensa (14th century?) with old tabernacle, cupboard, 2 wooden half-built-in confessionals (18th century) two oak sacristy cupboards with dresser (18th century) oak rococo credence console on side wall of chancel; 2 simple pews (1663 and 1718). In the churchyard thirteen grave crosses. Single-manual organ, made in 1855 by Pereboom and Leyser. Bell frame with chime consisting of a bell by C. Drouot, 1810, diam. 78 cm and a clock by N. Legros, 1766, diam. 86 cm.

The current church replaced the predecessor destroyed in the Second World War. It is a three-aisled basilica church with a semicircular apse and a tower and baptistery at the side, inspired by early Christian church architecture in Italy (4th-7th century). An important work from the Deur en Pouderoyen oeuvre, built under the influence of the Bossche School of Van der Laan.

Brick tower built in the middle of the 14th century, raised in the 16th century and provided with a constricted spire. In 1867, the current neoclassical church building was built against the remaining tower to replace the associated medieval church. It is said that the stones of the former church were used for the foundation of the new building. Inventory from the construction period.

The current Roman Catholic St. Martin's Church was built in 1936-1937 to a design by architect Stefan Dings. The church replaced an older water board church from 1838, which in turn replaced an old Romanesque church. Initially, there were other plans in 1930, and Dings would not become the architect of the new church. In the early 1930s, it was realized that the water board church from 1838 needed to be replaced. The local architect Reijnders made a design for a new church. It would be a round domed church with a high bell tower next to it. This design looked a bit like the St. Egbertus Church in Almelo) . The pastor was happy with the design. Unfortunately, the pastor passed away. And his successor did not agree with Reijnders' design at all. The new pastor again chose Stefan Dings as architect and had him make a new design. And that became the new church of Horn. Reijnders' actual design drawings were on display at the exhibition of the Horn Local History Association in September 2008.

Three-aisled church with transept and a tower at the side that defines the image in traditionalist, neo-Gothic forms. The main nave (central nave) is, in accordance with the Roman Catholic liturgical wishes of the early twentieth century, wide; the side aisles are narrow and serve as walkways.