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The Sint-Lambertuskerk is a single-nave neo-Gothic church with a facade tower. It was consecrated in 1863 and the architect was J. Werten. In 1930 the church was expanded with low side aisles. The Sacred Heart statue was also placed at that time. The organ possibly dates from 1759, and is said to have been made by Paules van Yesdonk from Gemert.

The foundation stone was laid on 19 April 1870 and was taken into use by pastor A. Ceelen on 9 January 1873. The church was built in a simple neo-Gothic style. The architect or master builder was HC Dobbe from 's-Hertogenbosch. The basis is a three-aisled cruciform church with transept (transepts and the part in between) and a polygonal closed choir. At the front is a low porch with entrance door. The sacristy has been added on the west side and the transepts have a confessional extension on both sides. All roofs are designed as saddle roofs, only the side aisles have lean-to roofs and the current coffee room has a tent roof. All roofs are covered with slates. On the crossing, the centre of the transept, a square roof turret has been placed with a tower clock, a bell and a wrought iron cross on the spire. There are four small dormer windows in the main roof.

Two-aisled church in round arch style, built in 1954 by Ir. FPJ Peutz. Tower from 1514 in brick with layers of marlstone. The spire is 18th century. The church walls connected to the tower are also made of brick with layers of marlstone. Internal barrel vaults and columns with a modern interpretation of the Ionic capital. Tower 1514 and 18th century, demolition of ship 1954 and rebuilding. The Roman Catholic Sint Lambertus Church has been completely provided with stained glass windows since 19 November 2006. They were designed and made by the artist Sjef Hutschemakers. This church is listed as a National Monument of the Netherlands.

St. Lambertus Church. Three-aisled pseudo-basilica with three-sided closed choir, 15th century, extended in 1953 after the destruction of the west tower in 1944. Statue of Christ on the cold stone, 16th century, a crucifix. In the angelus tower a bell by A. Jullien, 1715, diam. 40.3 cm.

Large neo-Gothic church with high tower. Main work of architect Van Aalst.

This modern church, which is not included on the list itself, is the successor to a church built in 1829 on Speelheuvelstraat, which in turn replaced a barn church that was opened in 1672 and renovated in 1760. The medieval church, largely dating from 1436, came into the hands of the Reformed Church in 1648, and was demolished in 1870. The following has been taken over in the modern church: a richly carved main altar, ca. 1750, with life-size statues of Franciscus, Jozef, Augustine and Elias, and two altarpieces, 1753 by OE Pirotte, depicting John the Baptist, Anna and Maria. Furthermore, an oak communion bench from 1750, two stone holy water fonts (18th century) in the shape of a vase. Organ with main work and positif, made in 1857 by FC Smits. Restored in 1963 and expanded with a free pedal.

Sint.Lambertus, 1889-1890, by G. te Riele Wzn. Three-aisled hall church inspired by the late Lower Rhine Gothic style with slender, round pillars and cross-ribbed vaults. Choir and side aisles have three-sided closures. High tower with three niches in each facade surface and constricted spire. Neo-Gothic carved wing altar with painted shutters.

Roman Catholic church, built in 1843, retaining the 18th-century tower, against which the current choir was built. Three-aisled neoclassical pseudo-basilica. Enlarged westwards in 1956. Internally plastered barrel vaults and Tuscan columns. Very rich main altar in Louis XV style from the second half of the 18th century and two 17th-century side altars. Organ with main work, positive and free pedal, made in 1848 by the Müller brothers from Reifferscheidt (Germany). Restored to its original state in 1987. Bell frame with bell by anonymous founder, 1763, diameter 49 cm.

Large church with a high tower in the centre of Etten. Main work by architect PJ van Genk, and one of his largest church buildings. The St. Lambertus church in Etten and the St. Gummarus church in Wagenberg are probably the two largest church buildings designed by PJ van Genk. The neo-Gothic cruciform basilica was built under the influence of early French and Flemish Gothic. Interior simplified in 1958. Restored in the late 2000s - early 2010s.

In 1909 by Wolter te Riele (1867 - 1937). designed, in 1910-11 built neo-Gothic CROSS BASILICA, called H. Lambertus, with four-sided entrance tower and polygonal closed choir, with two ditto side chapels and baptismal chapel; adjoining each of the two transept arms a side chapel; belonging to the free-standing parsonage on the right. The tower, each provided with two elongated sound holes and a clock, is crowned by a low lantern with four corner turrets and an octagonal spire, which, like the roof turret, is covered with slates. The church, built of brick, contains pointed arch windows of various sizes with natural stone traceries and a stained glass filling, mostly with simple, geometric patterns, in the choir and transept partly with religious representations. The church is closed off by a combination of saddle, shield and lean-to roofs, covered with slates. The not completely symmetrically designed floor plan is centralising in design, with the side aisles increasing in width in leaps from the entrance and the choir flanked by two polygonal, less deeply extended side chapels; furthermore the hexagonal baptismal chapel and at the transept arms two straight-ended side chapels. The interior, executed in fair brickwork, which is plastered white around the windows and in the vault fields, is covered by net and star vaults at the wide, four-bay central nave and transept, by cross-ribbed vaults at the half-as-deep side aisles, and is divided into three aisles by round brick pillars with wide intercolumns; at the choir articulated pillars. The double-shell clerestory walls are provided with a triforium all around. The neo-Gothic interior also includes: the richly decorated altar, the wooden Marianum, the carved pulpit, supported by St. Lambertus, the painted Stations of the Cross, several colored statues of saints, as well as the confessionals. A church characteristic of the work of the late neo-Gothic architect te Riele, of centralizing design, with a striking tower and well-preserved interior, as such of importance because of its architectural-historical value.