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The Sint-Lambertuskerk is a single-nave neo-Gothic church with a facade tower. It was consecrated in 1863 and the architect was J. Werten. In 1930 the church was expanded with low side aisles. The Sacred Heart statue was also placed at that time. The organ possibly dates from 1759, and is said to have been made by Paules van Yesdonk from Gemert.

The Holy Lambertus Church is situated on a site surrounded by ditches, accessible via a wooden bridge, with a balustrade and passageway built up in tree branches. The site is planted with various trees. The church, built in 1872-1873, is constructed in a sober Neo-Gothic style. The church was built for the residents of the tenant houses founded by Jonkheer AJA van Rijckevorsel and the service houses belonging to his country house. The houses, which have since been demolished, were leased by the lord for the development of the sanded dune lands (the Staelduin).

This modern church, which is not included on the list itself, is the successor to a church built in 1829 on Speelheuvelstraat, which in turn replaced a barn church that was opened in 1672 and renovated in 1760. The medieval church, largely dating from 1436, came into the hands of the Reformed Church in 1648, and was demolished in 1870. The following has been taken over in the modern church: a richly carved main altar, ca. 1750, with life-size statues of Franciscus, Jozef, Augustine and Elias, and two altarpieces, 1753 by OE Pirotte, depicting John the Baptist, Anna and Maria. Furthermore, an oak communion bench from 1750, two stone holy water fonts (18th century) in the shape of a vase. Organ with main work and positif, made in 1857 by FC Smits. Restored in 1963 and expanded with a free pedal.

In 1909 by Wolter te Riele (1867 - 1937). designed, in 1910-11 built neo-Gothic CROSS BASILICA, called H. Lambertus, with four-sided entrance tower and polygonal closed choir, with two ditto side chapels and baptismal chapel; adjoining each of the two transept arms a side chapel; belonging to the free-standing parsonage on the right. The tower, each provided with two elongated sound holes and a clock, is crowned by a low lantern with four corner turrets and an octagonal spire, which, like the roof turret, is covered with slates. The church, built of brick, contains pointed arch windows of various sizes with natural stone traceries and a stained glass filling, mostly with simple, geometric patterns, in the choir and transept partly with religious representations. The church is closed off by a combination of saddle, shield and lean-to roofs, covered with slates. The not completely symmetrically designed floor plan is centralising in design, with the side aisles increasing in width in leaps from the entrance and the choir flanked by two polygonal, less deeply extended side chapels; furthermore the hexagonal baptismal chapel and at the transept arms two straight-ended side chapels. The interior, executed in fair brickwork, which is plastered white around the windows and in the vault fields, is covered by net and star vaults at the wide, four-bay central nave and transept, by cross-ribbed vaults at the half-as-deep side aisles, and is divided into three aisles by round brick pillars with wide intercolumns; at the choir articulated pillars. The double-shell clerestory walls are provided with a triforium all around. The neo-Gothic interior also includes: the richly decorated altar, the wooden Marianum, the carved pulpit, supported by St. Lambertus, the painted Stations of the Cross, several colored statues of saints, as well as the confessionals. A church characteristic of the work of the late neo-Gothic architect te Riele, of centralizing design, with a striking tower and well-preserved interior, as such of importance because of its architectural-historical value.

This church is listed as a National Monument of the Netherlands.

The original chapel on this site was founded by Jan I van Cuijk. According to tradition, he did this as penance for his involvement in the murder of the Dutch count Floris V in 1296. The current building was built between 1450 and 1475. At that time, the chapel was still subordinate to the parish church of St. Martin in Cuijk. Around 1550, the church had its own churchwardens and a sexton. Masses were also celebrated there. In short, there was already development towards an independent parish church. And in 1564, the chapel was given that status, but that was over within a century. Because after the Peace of Munster in 1648, the Lambertus Church was closed: in the young Republic of the United Netherlands, the public practice of the Roman Catholic faith was no longer permitted. The church in Linden was closed (due to a lack of Protestants who could use the building). The Catholics from Linden went to church in Kleef or Mook. For a short while, from 1672 to 1674, the people of Linden got their church back from the French. But after their departure, the church lost its function as a place of worship again and was used as a salt storage facility. At the end of the seventeenth century, things became a bit more relaxed: in many places, Catholics built a so-called barn church: an inconspicuous building where people could go to church. In Linden, there was no barn church, but a house church (or church house). In 1698, pastor Verstraten built a church house with a home. A very beautiful kind of clandestine church, which one of his successors would later gratefully use for his seminary.

Beautifully situated beautiful neo-Gothic church with a defining tower, since 1979 (fire H. Verlosserkerk) the highest existing church tower in Rotterdam, at the bottom of the high Oostzeedijk (height of the tower in m to be determined). Replaced an older church from 1802/1830 in the then village of Kralingen, later annexed by Rotterdam. Early work designed by architect EJ Margry. In Rotterdam, this church is in 2023 one of the two remaining neo-Gothic churches that are actively used as a Roman Catholic Church (the other is the St. Hildegardiskerk in the Het Oude Noorden district). Despite a modernization of the interior in 1969, in which, among other things, the pew plan was replaced and the pulpit and communion bench disappeared, the architecture and furnishings have been well preserved in many details. This church contains an important Maarschalkerweerd organ. The church is open every Saturday from 10:00 to 13:00 for viewing, prayer, etc.

Large church with a high tower in the centre of Etten. Main work by architect PJ van Genk, and one of his largest church buildings. The St. Lambertus church in Etten and the St. Gummarus church in Wagenberg are probably the two largest church buildings designed by PJ van Genk. The neo-Gothic cruciform basilica was built under the influence of early French and Flemish Gothic. Interior simplified in 1958. Restored in the late 2000s - early 2010s.

Sint.Lambertus, 1889-1890, by G. te Riele Wzn. Three-aisled hall church inspired by the late Lower Rhine Gothic style with slender, round pillars and cross-ribbed vaults. Choir and side aisles have three-sided closures. High tower with three niches in each facade surface and constricted spire. Neo-Gothic carved wing altar with painted shutters.

Roman Catholic Church of St. Lambertus. Gothic building modified by extensions, consisting of a 15th century tower, a three-aisled basilica nave from the beginning of the 18th century, a lower 16th century transept next to which a similar second transept was built in 1911 with eastern choirs, and a deep and low choir in Gothic shapes, also built in 1911. These extensions were designed by the architect F. Ludewig. Flat tower, at the foot of the nave during the construction period, sheathed with a projecting section of brick, interspersed with layers of tuff stone, as also occurs on the nave and transept. In the second section pointed arch niches, in the third pointed arch sound holes; from four- to octagonal constricted slate spire. Buttresses on the side aisles; in the nave walls above alternating windows and niches. Five-sided Mary chapel from 1550 against the west side of the southern aisle. The nave was classically altered internally in 1824, whereby the clerestory is hidden from view by a barrel vault in stucco; cove moulding; arches and capitals (ionic) in stucco. In the old transept star vaults on figuratively sculpted corbels. In the Mary chapel five-sided rib vault, of which the keystones and corbels are decorated with angel figures. Over the tower portal a cross-rib vault on corbels. Inventory: carved wooden communion bench from 1759; oak pulpit from around 1750; organ case and organ stand from the first half of the 19th century as well as the organ, a two-manual instrument made in 1850 by FC Smits from Reek. Wooden statue of Mary by Walter Pompe, 1751. Painting by MS Vos, 1591, depicting the Lamentation of Christ; 16th century wooden crucifix. Brass chandelier, two six-lights. In the roof turret a clock by Petit and Fritsen, 1823, diam. 47 cm. Mechanical tower clock, electric winding. On the tower of the church is a large sundial, painted on a stone slab built into the wall.